Transcript
WEBVTT
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Can you believe they sponsor this show? Like, don't they read through the
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transcripts and see how many times I
say fuck and how little I care about
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corporatism? Jesus Christ, play some
of that rock music. Well, Hey,
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welcome back. It's the Friday after
Thanksgiving, you know, the long
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holiday weekend in America. How are
you? I hope you survived. Well,
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clearly you did survive. You're here. So Hey, now what's up?
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Yeah, so I got an email
from my podcast hosts, sounder DOT
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FM, and it said change of
terms, blah, blah, blah.
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We've now turned on monetization by default. You have to go turn it off
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if you don't want to. It's
for whatever, like what the fuck cheese?
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So it turned out to be easier
to turn on the ads then to
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turn them off. So we'll see. I'll let the ADS play. I
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don't know what fucking ads play before
this show or after the show. I
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have nothing to do with that.
I just know that if enough of them
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play, they'll give me some money
and I can pay to fucking host the
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podcast. So the podcast will then
pay for itself. If the ads bother
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you, let me know. We're
for free to make fun of all these
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fucking companies. I heard the gap, I heard a McDonald's AD. You
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know, fuck all those companies whatever. So it's fine, just let it
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go. The old thing I didn't
like ads because I listened to podcast in
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the car and the particular car I
use has really crappy interface. I'm into
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good interfaces. Well, this one
there's no fast forward in ten seconds or
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thirty seconds. It's there's one fast
forward button and it goes completely to the
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next episode. So if I'm two
thirds the way into an episode and I
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think the back button will take me
ten seconds back because I missed something,
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no, it takes me all the
way back to the fucking Intro, like
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God damn it. So I don't
like ads for that reason because I don't
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know how to skip them in my
listening environment. But apparently most people have
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a little skip button. So if
you hear an ad, just fast forward
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through or something whatever. It's not
like anything I say is that important.
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Anyway, I digress. Today I'm
talking about so yeah, I've been talking
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about the past few episodes and FT's, which probably dry and you fucking crazy.
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I know when it's you know,
like a topic on Saturday night live
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and probably half the dinner tables in
America whatever. So I apologize if it
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sounds like over and again. So
I won't talk about them as much,
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but I do like talking to the
artist who create them, and there's you
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know, there's plenty of artists creating
nfts that have mental illness in their history,
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so that's kind of cool. There's
tons of people I can have on
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the podcast now. That makes it
a little exciting for me, and you
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right, but I have to apologize
to my friends, my real life friends
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and a couple of my friends on
twitter who have been harassing to make their
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art into nfts. I Apologize,
like you. Nobody you don't have to
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turn your art into nfts. And
there are some downsides to the NFT world,
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as I call it, like especially
nft twitter, and we'll get into
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those in just a minute, because
I know when I edit some of these
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podcasts they say things like Oh,
what's not to like about nfts? Well,
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speaking in context, what I'm talking
about there is the mechanics of locking
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your art onto the blockchain and getting
royalties from it whenever anybody wants to buy
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it into the future. That's the
pure context. But now there's so much
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toxic behavior on nft twitter and that's
where you have to go, particularly to
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sell your art. But let's back
up a little bit, because the title
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of this episode is basically nft for
starving artist, so we need to get
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back to the origin of that statement
here. So here's what's up and a
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little background. The idea that anybody
can put their art up and lock it
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down and profit from it is amazing. The problem, though, not anybody
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can do that, and a lot
of people that are making nft's are pretty
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privileged and they don't understand how many
people maybe are left behind already simply because
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they don't have the very necessities of
life, let alone a tablet and a
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stylust or a computer or, you
know, away calm fucking IPAD. You
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know, pick your pick your tool. These things all cost money. Oh,
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and electricity. That means you have
to have a place to live that
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has power, that's turned on,
and none of that makes a difference if
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you don't have any food because you're
hungry and you have to steal food from
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the grocery store. You following me? Not Going to get too dark just
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to start reality. So my heart
is kind of near and dear to those
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underdogs, or also people that kind
of society has forgotten, because when I
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was young, like thirteen, fourteen
years old, I was kicked out completely.
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I had nowhere else left to live, so I bounced from home to
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home forevermore until I got in my
like twenty, twenty one year old,
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got married, started off, got
lucky, you know, had a good
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life for a while, that kind
of thing. So that was all good,
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but my heart's always been out there
for people that are just been shunned
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or just kicked out, scapegoaded,
however you want to frame it, from
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their families, from their lives,
whether they already had a mental illness or
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whether that situation, being abandoned like
that or neglected, caused a mental illness.
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It doesn't really matter, because you
get locked into the same cycle regardless
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and it takes a lot to break
out. Fortunately I broke out. So
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I always had the idea that I
should give back, like because I'm like
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yeah, I made it through,
I can give back. So I worked
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in Juven Hall when I was younger
for like five years, worked as a
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as an activities coordinator there, and
then most recently I was the director of
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a nonprofit, what they call hotel
in San Francisco, and that place had
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a hundred and sixty apartment units in
it, and in each of those,
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well, I'd say eighty percent of
them were people that were, for lack
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of a better term, crazy,
mentally ill of some sort, fresh out
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of homelessness. So they hadn't been
taught how to live in a home or
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a homed environment, in shelter.
They didn't know how to live in shelter.
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And you sprinkling about twenty percent of
people who were able to tolerate that
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environment just to live in a cheap
spot, in a killer location in downtown
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San Francisco, which otherwise cost a
fortune. But by living and working in
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that hotel, man, I saw
so many stories and heard so many,
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you know, vibrant lives, share
what they had to give that are not
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being captured, will never be captured, and that just leads me to think.
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Imagine all of the senior citizens right
now who live alone. They don't
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know how to capture a name of
this, but they want to express they
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have art inside them waiting to come
out, but they have no way to
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get it out because they don't have
the funds that are on fixed income.
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They you know, any little bit
of income over a certain amount they have
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to report and then they lose their
government funding and it's just the whole shit
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show. These people are kind of
locked into a fucked up lifestyle and they
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have no way to create. Yet
they have lifetime decades and decades, and
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there's we're talking people from like sixty, seventy, eighty up towards of ninety
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years old. Some are even older, that have so much art and creation
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stuck in their soul that they could
get out that they're not able to.
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So I think it's kind of incombent
upon us that do have the means,
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or are generating the means through our
you know, crappy new gifts and pet
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J pegs, maybe to help on
board some of the people who have absolutely
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nothing. So for sure that means
setting up, you know, classrooms and
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places where there are computers for people
to use or even take home or give
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them, you know, tablets and
things like that. Just needs to be
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organized. But man, if there
was a nonprofit that was specifically geared toward
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getting the poorest of poor people with
the right gear in their hands and the
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connections and, you know, teach
them how to on board, on to
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open see or object or wherever,
and just show them how to do it
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and then give them grants so they
can fund a wallet for a little bit,
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teach them how to buy art,
how to sell their art and those
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kind of things. That's as a
huge audience we're missing right now. It's
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people that just aren't on computers right
now. To begin with. Those people
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all have art inside of them.
That's far more valuable than somebody who just
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picked up a tablet in the stylus
three months ago and started drawing Jay pigs.
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It's just not possible to have tenzero
hours of experience in six months.
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So just two heads up. That's
going to be kind of ongoing theme.
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Like what do we do about the
poor people? What do we do about
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the poor people? How do we
help the poor people get their computers together
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and get their, you know,
creative setups going so that they can start
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creating the art, telling the stories? I'm sure they've got poetry, they've
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got painting that could be digitized,
you know, real life painting that we
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could take photos of. They've got
cameras. We can give them cameras.
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They can take pictures of things of
their lives. There's so many things that
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would just enrich the Internet, enrich
web three, if we just had better
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access for them and to on board
people with absolutely nothing. I'm not talking
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about poor folks that use Tz I'm
talking about people that don't have any money
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to put into a wallet, to
even open a bank account, to get
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a coin base account, you know, those kind of folks. We need
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to help those people and in my
mind I can envision it all the way
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through the end. It seems pretty
straightforward and I may actually turn Emo Dojo
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from like a drum Dojo to and
nft on boarding Dojo where it's just a
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nonprofit that exists to on board super
poor people into the NFT world. Let
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me think about it. All right, this next part is for artists of
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you that have a couple hundred bucks
that want to try to get into NFT's
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that's easy. Wait, let me
clarify. It's simple. It's not easy
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because there's some mental gymnastics that go
on in the nft world. So it
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is simple, but don't get carried
away. I think I've described earlier.
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Or you can figure out how to
get involve with the you know, the
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setting up the thing. Basically just
put a couple hundred bucks into a etherory
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and wallet or a Tes Wallet.
I've tried out this new money. It's
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called Tz because it doesn't the transaction
cost are next to nothing, whereas the
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transaction cost using etherium can be upwards
of a hundred hundred fifty bucks just for
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the transaction cost. Even if the
item only cost five dollars, the transactions
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a hundred and fifty bucks. So
here's a some things right from the beginning.
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If you're an artist and you want
to get involved, I would recommend
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following the music industry into the teszs
coin. So get a tes Os Wallet,
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you know, put like fifty bucks
on there. Go Get yourself a
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dot tes name. You can just, you know, Google Dot tes domains
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or tess domains, tesz Os is
Tezos, and then go to a place
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like objectcom, oh B J Katiecom, you know, kind of clever way
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of spell it object, and get
you a little account set up. And
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it's basically as simple as like any
other social media platform is. You simply
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upload a JPEG or a gift or
a little small, you know, movie
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five I'Le and it could be anything. Could be you, you know,
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dancing in your living room. It
could be a logo you designed, could
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be a guitar riff you just played. I don't know. Anything. You
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want to like lock into eternity on
the blockchain, basically, and that's the
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fun part. So basically, the
hardest part is just getting set up,
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and what you're set up, you
can put your postep now. The second
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hardest part is promoting or even having
to be on social media, twitter,
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for example. So the idea that
makes crypto and blockchain in particular so awesome
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is that the technology is decentralized.
That means no one party isn't charge of
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the technology. Everybody is in charge
of it, everybody can see it,
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and that whole thing's great, very
transparent. However, decentralized does not mean
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democratic and it doesn't mean fair.
It just means the software is decentralized and
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it also means everything's transparent. So
you think that would make there be less
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crime. However, that's not the
case either. There's no more or less
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crime in Crypto, in the blockchain
world than there is in real life.
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We're dealing with the same humans here. So humans in the real life.
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You know, ten percent of the
time they turn out to be criminals.
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Same thing in the crypto world.
Ten percent of the time someone's running a
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fraud out there, a pyramid scheme, you know, pumping up their stupid
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profile picture, get everybody to spend
a bunch of money on and then just
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you know, that's it. Taking
your money by those are all. That's
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all, it's all I was doing. That's the whole trick by and so
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the people who do that are actually
investors. They're like day traders back in
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thecom days. They got into Crypto, they have extra money to spend and
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they're just having fun making more money, basically. So, as an artist,
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avoid all of those people. You're
not there for this. You're not.
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You're not starting NFT's to get rich
right now. You're starting and FT's
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to get started. Just start.
This is like when the Internet first started.
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This is that all over again,
and FT's are just starting. So
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just go start locking down your stuff
and getting used to the tools. Don't
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get involved with the profile pick projects. The PFP's is they're called board apes,
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punks all that. Those are day
traders. Those are wealthy people trading
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visual examples of their wealth. That
makes sense. In other words, it's
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not for you. If you think
like that's what you're trying to sell to
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that I mean, I would even
think of selling your art at this point.
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I would just think of learning the
mechanics of locking the shit into the
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blockchain, because that way, if
and when somebody comes around to decides your
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s it is cool and it starts
selling. Well, guess what? Now
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it's moving. Every time someone sells
it, you're getting a royalty back,
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regardless of what it is. You
wrote a little high coop on a on
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a meme. Cool, that's if
you did that and that's original and you
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put it up on the blockchain.
What if it came popular five years from
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now? What have became super popular
and you could send your grandkids to college
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or whatever they're doing, you know, thirty or forty years from now?
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That's what I think it's all about. It's not about day trading and getting
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into fights with these fucking, you
know, bro Chad fucking guys. They
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basically the kind of guys who are
like in Hollywood or West Hollywood or wherever,
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driving around in the dumb super cars. Some expensive cars obviously are really
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nice, but some of them are
clearly stupid. Just only a jackass would
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drive one these. A lot of
these are the same followers that just see
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somebody else having it. They got
to have what somebody else has, and
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that's the whole thing. It's back
to MEMISSAS, like we talked about before,
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wanting, just wanting what other people
have. So if, as an
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artist that's the worst thing, don't
get involved in the wanting what other people
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have. As an artist, it's
your job to create the new things that
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people will want. And you see
these otherwise capable artists just chasing fads in
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the music business. That would be
like everyone jumping on the grunge sound.
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Oh, just hear what's coming out
of Seattle. Yeah, okay, let's
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all start wearing flannel. It's the
same thing with the PFP projects. Oh,
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let's all start having Ab so let's
all have punks or whatever the fuck's.
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You know, it's always the latest
greatest thing. But as an artist,
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why are you jumping on that bandwagon
and making more more garbage? You
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know, like a five year old
that's been doing art for three years has
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more experience than most of the nft
artists have now. So the idea that
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they're creating art specifically for commerce,
puts an artificial constraint around their art.
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It's not even original. They're create
and basically it's design. It's design on
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SPEC hoping that it will sell.
So do you want to be a designer
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or an artist? If you're going
to be a designer, get the money
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at front and then just sell your
ass out. If you're going to be
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an artist, fuck all what other
people are doing. Just go make art
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and don't worry about it. But
do get yourself a wallet, learn how
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the blockchain works, try alternate market
places, like if you'd go the Etherian
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route, you can always go to
open see and choose the polygon option,
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and that's also has a far lower
gas fiees as well, kind of like
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Tzo's. And when you do succeed, remember to give some back. We
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need to get the poorest of the
poor people to people that live in poverty
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with no computers, can't pay their
electricity, have no food in their fridge.
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We need to find at least to
get those people to try to make
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an NFT, to make a gallery
of NFTS for these people so that they
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can maybe sell one and pull themselves
out of poverty for entire year. You
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know, remember all these TV commercials
where you can adopt a kid from Africa
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or adopt a broken puppy like that? How about buying an NFT for one
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of these poor old people that's just
been poor their whole lives? But our
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genius artists, we can do better
and I think if you start making art,
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be mindful of the toxic behavior that
goes on in the day trading world
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of PFP's twitter and give back when
we make it. That embodies the entire
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we're all going to make it.
Mantra. Just want to say a shout
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out to Tony Kaya aims. Hope
you all had a happy thanksgiving. I'll
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talk to you soon. Have great
rest of your weekend and now back to
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the wall.