Transcript
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What's up friends, welcome to another
exciting episode of live from Emo Dojo.
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Today we have not just any Sean
Johnson, the Sellon Johnson, the famous
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nft art photographer representing Georgia United States. You can love this conversation. I
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loved it. Actually, I like
talking artist a lot. I've got some
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documentary filmmakers coming up, some authors
of books that are not mental health books
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and plenty of like artists, like
painters and graphic designers, musicians, you
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name it, they're all coming up. I'm having a blast and I hope
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you are too. If you do
like what you're listening to and you have
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it within you, please stop by
apple and leave a review. I noticed
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I haven't had a review in like
two years. Anyway, do that if
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you got the time. I know
it's kind of a pain in the ASS,
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but it would be nice. That
said, let's jump on into this.
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You're going to love this guy,
man. We just chat about all
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kinds of things. We keep it
light. Seems to be a very agreeable
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person and man good conversation. So
live from Emo Dojo, this is Sean
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Johnson. I feel you. That
paid a though that that means the field
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collector get paid. Yeah, it
means the wolves are at bay for another
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week and a half or so.
Absolutely. Yeah, that does suck.
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I was watching the DMX story on
HBO. They got a series called music
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box where they do different stories that
didn't like Kenny G and DMX and random
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bunch of people. The DMX one
was awesome because they followed him from the
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day he got out of prison for
tax evasion and then all the way up
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till his final day. Is Pretty
intense, but one of the check that
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out. Yeah, it was awesome. Is Excellent. I was a big
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fan him. I'm like generation x, so he was writing my muttering,
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my wheelhouse. They're a man at
yeah, and that dude had bipolar to
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he rarely talked about it, but
once he mentioned it and that I started
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to notice what he was making the
news stories for. I'm like Oh,
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yeah, yeah, definitely, that's
definitely a mode right there, right,
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but he yeah, the one telling
thing was he got signed to like a
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half million dollar deal back at a
death cham after he got out. You
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know, they want to do like
a retro town of album with them,
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and they show them in that meeting. He's like yeah, whatever, what
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her fuck Youah, sure, great, half million. Cool. Well,
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the next cut of the video they
show him just fucking angry because he's on
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a phone with like his lawyer or
bookkeeper, something like oh well, you
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got this three hundredzero dollar judgment here, then you got this hundred and Twentyzero
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dollar judgment, and she they're just
listing all these judgment so he's basically fucking
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broke immediately after he signed a deal
and like fuck yeah, isn't that how
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it goes crazy and that will yeah, Dude. So Um man, thanks
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for showing up. Thanks for being
here. It's hard to get people to
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show up, and especially if you've
not talked like you know it is actually
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right now. I'm sure it's fine, but that few moments right up to
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it's like a kind of nervous Oh
yeah, yeah, yes, it's kind
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of difficult for me because I just
I don't know if it's like I don't
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want to come off as dumb or, you know, anything like that,
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and I have a little bit of
a lift. I like it. It's
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it makes you unique and one of
my best friends has a way more intense
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list than that and the only time
we ever fuck with each other's when we
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drink, but he has pretty good
am too, because I've got bipolar disorder,
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so you know, I don't have
a lot of legs to stand on
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this. So now I like it
makes you unique and that's fantastic, dude.
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So yeah, greetings, welcome you. You have a great radio boy.
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Man, I like to talk.
I just I like to talk.
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That's all the other like the fucking
talk. I can't shut up, you
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know, just a spas. So
finally, after practicing podcasting for a while,
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I think I found my niche and
it's finding other creatives, because when
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I first started this podcast, it
was all about mental health and then I
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read a thing that, you know, tripped me. I had a little
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bit. Said, well, you
become what you focus on, and I'm
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like, oh well, the podcast
is all me complaining about what was me,
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my mental health, this or that. I'm like that's what I became.
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Like well, I'm a creative person. Let me get back to that.
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And I was struggling to find like
a topic for the podcast, but
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now it seems perfect. It's like
people, artists specifically, who are into
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mental health and then with the dose
of Technology. So yeah, we ended
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up with NFTS for the past several
weeks. I'm digging it. I love
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it. Hey, yeah, I
love you. I Love Your Voice on
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twitter. To this is we'll get
into this. This is cool because on
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twitter everyone has a different voice,
like is it, and mine is typically
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fuck the man, fuck everything and
Fuck all fascist type ideas. Right,
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right, and I think you share
that with me a lot, and I
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could tell and a lot of your
photography it's very social justice oriented, very
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much. So I love that.
How did you get well, how did
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we cross paths on twitter? I
think I follow people who's already like and
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I love your photography. After I
get done with my emo Dojo kind of
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concept art project, I'm going to
get back to photography, which is my
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real passion, and yours really stood
out. I appreciate that. How did
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you get started, dude? How
did you get started? First and photography,
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or was it something else entirely?
Well, UM, so I've it's
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gonna found kind of dumb maybe,
but I've always had thought of a feeling
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in thought of where I'm supposed to
do something important. Yeah, and and
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that's kind of like sent me on
a path of trying to figure out what
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it is, and I've gotten to
where I was starting to write. I
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tried screenwriting and I didn't do very
well at it. It was some the
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theme was really hard to kind of
fit fit in there, and that would
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make me a little bit depressed.
And then there were things, you know,
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going on in the world with humanity
and social issue for sure, would
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bother me and I wanted to express
it and I wasn't good at writing like
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I was saying, so I decided
to express it in pictures. I could
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say what I wanted to say,
would putting things together and making a clear
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point, and once it got out
of me, then I had a relief,
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a relief, a lightning of the
weight, and I felt much better.
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I feel that. Yeah, I
definitely that lightning that you mentioned.
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It's almost like true artist. I
don't want to like say there's false artist,
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but I mean the ones that I
am gravitated towards seem to have to
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have something that got to get out
of them, like you're not going to
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stop until it actually gets out,
whether it's in the form of music or
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writing and, in your case,
photography. Is that kind of how you
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felt like it just it's coming out
one way or the other. It has
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to come out at this is untenable
the way it is now. Absolutely because,
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you know, with you know a
lot of the light with George Floyd.
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Yeah, and watching all that that
that really bothered me and I feel
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like I needed to say something.
Right. Maybe it wasn't directly, you
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know, related to that incident,
but the overall the aspect of it,
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and it sort of torments me inside, like I just got to get this
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out and then I'll come up with
the idea, I'll put it together and
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take the picture and edit it and
once it's all done, it over with,
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I can look at it and I
can feel the relief that I said
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what I needed to say. Yeah, yeah, when you were trying to
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do screenwriting, was it the formatting
or the thoughts? Getting two thoughts into
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words? Because I've tried screenwriting before
too, and to me it wasn't so
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much the idea, because I I
ruminate on the idea all the time,
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but getting it out into words,
into the format of a screenwritten, like
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final draft thing. I'm like,
this is too much. I got to
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move on. Right. They know
the the format of it was easy.
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The technical side of it was easy. I had the idea of it's just
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understanding, comprehending, I guess,
how to put theme into it. Yeah,
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and to show it everything throughout the
screenplay and then have the overall point
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come together at the end. It
was very difficult and I just learned that
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I was better with pictures than I
was with words. Yeah, you're great
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at photography. How how? How
long ago or how young were you when
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you started photography? kind of serious
sleep seriously, it's been two years.
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Wow, that's impressive. What what
was your experience with cameras and photography up
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to that point? Zero, no
kidding, just cell phones and stuff like
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that, taking pictures of whatever you
saw. He yeah, that was very
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rare that I would even do that. But I'll I saw a photography as
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an art and I was like I
could draw. Okay, it's not nothing
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great. I have been draws,
you know, I would draw, but
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when I was a very small child
and I had a friend who was really
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good, I mean he was very
impressive. He draw down a thor's in
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the scale zone. Them would be
just or the skin would be just awesome,
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while I was like, yeah,
I'm not that good, so I'm
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going to quit. I have a
buddy. Let that. Yeah, like
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my best friend from forever. He
is such an amazing illustrator and that's what
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he just likes to do. He
doesn't try to sell it or is not
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on NFTS. He just way better
at me than me at that stuff.
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We all got that friend right.
Absolutely. So I'm you know, later
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on I tried writing, because I
like writing and I don't like to read
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very much, but writing yes.
And then, anyhow, after I figured
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out I couldn't do that very well, I needed another outlet, and photography
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thing like art to me, and
I picked up a camera and I kind
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of played with it a little bit
and I put it down, picked it
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up, play with it a little
bit, put it down, did that
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a couple times and then I was
like I'm going to give this a furious
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go. So then I started learning, you know, all the techniques and
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you know everything technical about the camera
that I could learn and and just kind
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of develop from there. And then
it got to the point to where you
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kind of hit a feeling as far
as like okay, I know all of
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this, this is kind of boring. Now I need to challenge myself.
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So I've started telling myself with,
you know, different ideas and creations your
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art really, I mean you're here, your photography really is art. It's
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I mean it's up there because it's
so well let me explain it because we're
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on audio show. I'll explain it
to what I'm seeing, to the listener.
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Okay, so it is intense staged
black and white photography. Much of
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it is symmetrical. I was watching
Stanley Kubrick's full metal jacket earlier this morning.
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Yeah, and I was stunned at
how every single scene was like a
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perfect scene, just staged, symmetrical
and like, Oh, this is what
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makes this magic. And Yours very
much the same way. There's a lot
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of play with contrast, hard blacks
and hard whites, with the the grays
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in the in between and from most
of almost everything I've seen of your so
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far as black and white right shown. Yeah, for the moth part everything
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is black and white and you,
you're great. I do like symmetry and
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I do like hard blacks and hard
white to, you know, very contrasted.
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Yeah, and it's easy to say
that, but without seeing your work,
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the listener has to go. So
if you're on the internet or whatever
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while you're listening, if you're able
to go to OPENSEE DOT IO and look
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for Sean Johnson photos, Shaun and
you'll see he's under their under fire brand,
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and then you'll understand what we're talking
about as we keep going. So
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yeah, sewand, it's it's really
impeccable because we've, I've grown up my
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whole life scene stage shots from everywhere
from the sears photo studio to Glabor shots
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and then my friend used to do
bikini girls and hot rod shows and all
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the whole thing. Right, but
this is something different. What the way
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you're stage in your shots is as
if it's the subject is a sculpture on
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to itself. Very much folk.
I mean I could pick up any of
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them. The toes with the toe
tag. That that's ideal. The really
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intense mask ignoring their cries, that
piece like that is wild, that unto
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itself. If you saw that not
in photographic form, it's an art piece.
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But then your photography takes it to
a whole new level because you apparently,
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I've taught yourself light angle and contrast
and all these things. So it's
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really impressive. Thank you very much, and you are right. The the
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mask which is ignoring their cries,
as a good one. But mask of
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horrors seems to be getting a lot
more attention, and understand why. But
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the mask is an art of its
own. It took me sixteen hours to
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make that mask. Yeah, that's
a really interesting piece. The mass that
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we're talking about is paper machee.
It looks like with yeah, intense like
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news headlines. And is that clip
from the news headlines or some kind of
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collage ors that? Did you customize
that and like printed on paper? How
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did you do that? Absolutely I
was going for a newspaper look. It
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looks like. Yeah, so I
tried to get several different fonts and I
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type these out, a printed them
out, cut them up and then glue
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them onto the mask, trying to
give it up, you know, the
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newspaper Look, and I thought I
did pretty good. It looks like it.
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To me. It looks like newspaper
that somehow you searched for like decades
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of cool headlines, not cool,
obviously, like really heartbreak. It headlines
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like Parkland and things like that.
and to me it from this distance,
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in this angle and the photo,
looks like paper Machee, but it sounds
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like you just you put this on
like a mass. You you just had
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like a what is that? Hoppy
mask? So that kind of thing.
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That's actually a mold of my head, by a paper mache mold of my
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faith in my head. It actually
covers the back of my head a little
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bit. Wow, that's cool.
Yeah, I did that and created that
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it. Like I said, it
took sixteen hours and I could never duplicated,
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I promise. Yeah, that's the
great thing about your art. You
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can't duplicate it. For One a
photography is inherently, almost in part were
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virtually impossible to duplicate. But what
you've done in staging, the props and
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things like that, like the anarchy
fists, that's Great. Always fancy myself
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anarchist, not a troublemaker. Just
exactly. I don't I'm not a terrorist,
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I'm not a criminal. I just
don't think we need rulers or gods.
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That's all. And I write.
Well, I am and most pieces,
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most of my work, I am
to the point and they have a
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meaning, specific meaning. It's not, it's not always, you know,
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writing your faith, but most everything
I do is, you know, intentional.
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Yeah, yeah, it's provocative,
for sure, it's not alarming.
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You know, it's not Jesus Christ
in a jar of P or anything like
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that. But it is definitely eyecatching
and makes you stop and think. This
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looks like life magazine kind of photography, especially the United States of injustice with
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the hands bound behind the back in
an American flag. Yes, that's intense.
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That could totally be the cover of
Time magazine. I agree. Yeah,
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was that you're intend to make these
kind of epic shots when you first
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started to get serious about photography.
Well, as it was one a release
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there and, you know, an
outlet, but the ideas to create change
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with my photography in the world,
because I believe in the power of art.
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Right, and these pieces are exactly
what you said. They're meant to
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make people stop and think and and
question. You know, are we doing
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things the right way? This is
a theory. If issue, maybe I
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should look in on myself. Am
I doing the right thing right? Yeah,
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the the art is very powerful and
you know, if you can take
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an image and if somebody walks by
and see it and they stop for a
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second and they even question, just
for a second, and that Peef has
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done its job. I agree.
I think all of your pieces do that
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and that, I really think,
is one of the great things about art.
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Plus, it's really like a universal
language. Your art is not speaking
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in any you know, language of
a certain country or any nationality or anything
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like that. These will mean very
similar things shown to people around the world.
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I agree, which is interesting too, because it's going to be slightly
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different thing to every individual that looks
at it, but you will get a
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similar reaction from people everywhere. Yes, I believe so. And you know,
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it's like I want to make a
difference with my art, and obviously
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I know that. Yeah, my
arts powerful. It's not going to change
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the world, but it's intent,
if to get people to change themselves for
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the better, that over all we
change the world together. That's the idea,
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that's the you know, that's the
whole purpose of it. Yeah,
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that's nice. You kind of provoking
unity in a sense. Yes, I
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like it. But what's your experience
with mental health and things like that,
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because I know just by the nature
of your post, and you know push
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back if I'm prying too much.
I don't mind at all, but I
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noticed, I think you alluded to
depression one time, maybe several weeks ago,
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and I don't want to lay that
on you if it's not accurate,
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but do you have experienced like dealing
with week? Yes, how do you?
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How do you? Is this an
outreach of your way to use,
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is yourself expression, a way to
manage your mental health? Yes, I
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haven't been diagnosed with anything, but
over the course of my life I've noticed,
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you know, I'll have down times, I'll be have up times and
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then my downtimes, they may last
a month, they may last hour.
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You you just never know how long, right it's going to last. And
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recently I have noticed when I'm starting
to go down into these these low you
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know, these low places. Yeah, and use photography to get me out
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of it, because when I make
a piece, and if it's something about,
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something that's bothering me, I can
make a piece about it, then
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it helps bring me out of it, and just taking pictures just really helps
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me in that way. It pulls
me up and even if I go too
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long without taking pictures, not taking
pictures will bring me down. So it's
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kind of something that I have to
do. Yeah, do you. I
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was wonder about things like that.
If if it's the distraction that pulls us
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away from our depressive feelings or feelings
of anxiety or whatever around we happened to
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be experiencing. Is it the distraction, I wonder why? Is that why
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old men play golf, if they
just need a distraction, because when you're
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doing things like art or perhaps golf, and not a Golfer, but I
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get the impression by looking at them
that that's all they're thinking about, is
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golf. When I'm playing the drums, that's pretty much all I'm thinking about
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is the drums at that moment and
I don't have the bandwidth to be depressed.
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So I often wonder if that's the
case with many artists. Yeah,
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with photography it definitely is. When
I'm when I'm putting together an image,
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a photo, setting everything up,
that's all I'm thinking about. I'm making
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sure everything is in place like it
should be. I'm thinking about the lighting,
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I'm thinking, you know, about
all the camera settings, you know
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how angles are. I'm just everything
involved with it is all my mind and
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just making sure it's right. And
then I guess maybe also get a little
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relief of their tone and you know, well, yeah, that's going on
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definitely. So there's a little dope
on him. After I get published and
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people start clicking in like an arm, then you get the residual benefit of
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the dopamine very much. So.
Yeah, so it helps me in that
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way. I mean I'll listen to
music and things like that, but I'm
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still focused on, you know,
the project at hand in it and that's
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all that on my mind. Yeah, yeah, what's what kind of music
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do you listen to? What's your
favorite type of music? My favorite artist
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is Tom Delong. No, kidding, blank one hundred and eighty two and
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yeah, their way. Yeah,
yeah, like my favorite it artist of
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all time. I like the sound
of that. That guy's voice. He's
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always had the more unique of the
two. Are you into his his alien
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investigation kind of stuff? No,
not really. Yeah, I every time
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I said that. I've never I
see it. I'm like, okay,
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that's fascinating. I mean I'm vaguely
fascinated with all crazy weird things, you
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know, just space ship, big
foot or whatever, but the moment you
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start spending time and money on I'm
like, okay, cool buddy, great
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hobby, but right. Yeah,
no, he was the I missed bleak
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one hundred and eighty two. Honestly, they were. They were cheesy to
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many people because I grew up with
black flag and circle jerk. So by
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the time the second wave of punk
came around, a lot of my age
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people were dissing it, but I'm
like, well's fuck, it's fucking hyper
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and fast and fun. And listen
to the guy's voice. I hear angst
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in that voice. I hear me
sometimes in a lot of their songs,
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just and he was the voice in
the band that I'm most resonated with,
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the sound in my head very much
so for me, if will and to
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me, the we don't need to
with for album, the hearst angels and
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Airwaite's album. Yeah, that to
me is one of the greatest albums ever
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and it's mostly because how it it
hits me emotionally. I resonate with every
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song on that album and that I
left. I can't tell you anytime,
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but listen to it. Yeah,
yeah, sometimes I get records like that
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throughout time, or a certain thing
will happen in my life and that will
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be the CD in the player.
Back in the day, like when I
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got divorced, there's a certain CD
in my player and like that's my divorce
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CD or whatever. When my sister
passed away, I had like a playlist
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on my ipod and like, oh, that's that's the Katie playlist right there.
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Yeah, yeah, music is super
powerful. It's my next favorite thing
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to art, but I don't know, music might be my favorite form of
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art, I guess. But being
a drummer, I just I don't always
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claim the role of a clap,
quote unquote musician, but I really like
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it. It's one of those more
universal things. Like your photography here,
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it's universal around the world. It
will evoke a response similarly from people around
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the world, and music is the
same way. Yes, definitely, and
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a music for me is if I
need to get to a certain place when
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I'm making an image. Yeah,
if the quickest way to pull those emotions,
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you can listen to thirtain types of
music that will get you there and
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then you can really focus on what
you need to say. Yeah, it's
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like almost like a trip. I'm
guessing by looking at your stuff you have
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a vision in your mind first and
then you work to achieve that vision in
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a frame. Is that accurate?
For the most part, I get images
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are I get idea of three different
ways. One way is it's an image,
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the second way is a word or
praise, okay, and then the
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third way of just pure emotion.
I'll take an emotion and I'll turn it
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into an image. I can take
an image and then try to make sense
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out of the image and then a
word also again try to turn that into
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an image. So explain then a
little bit. For an example, let's
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talk about get vaccinated. How do
you end up setting up that shot?
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Do you envision the feet with a
toe tag first, or do you get
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into the I don't know where,
if you did the photo shoot, would
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you get into this photo studio,
let's call it, get the model up
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on the table and then start thinking
of what you want to shoot? Does
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which one? Does one come first, or how's that go? Already had
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the image in my mind first,
got the image popped up and it was
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it was just like what where?
I took an image of what I took
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the photo of. Yeah, that
was exactly what I saw first in my
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mind, with the only correction was
the writing on the tag with handwritten and
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it wasn't actually printed right. Yeah, so I did change that to more
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of a printed style type. Yeah, levels like a old like a bureaucratic
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typewriter. Look there. Yeah,
yeah, so that was the only change
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from what I saw in my mind
and I the image that I had was
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much more bigger. But then also
try to make images and I focus on
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budget because I try to make them
achieve as possible. Yeah, and well,
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and they're concise, like visually concise. I'm consider myself a minimalist generally
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and I think people lack self editing
and your photos show a nice use of
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self editing. Like you cut it
down to the minimum without cutting the way
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too much. Right. You try
to just, you know, like I
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said, that budget, keep it
down, try to keep it simple.
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I don't want to make things too
complicated for people to understand the message.
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Yeah, to explain like a photo
shoot for you, how long does it
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take? What kind of gear do
you use and those sort of things.
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Okay, so once I get the
idea, obviously I start planning it and
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accumulating props and things that I may
need. I have a light set.
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I can't think of the name of
it right now, but it's a constant
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light, like a hilly lights.
No, it's not led, it's an
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actual ball. WHO's like a eight
hundred water I think, or five hundred
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what? But I have two of
those and then there's a smaller one but
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I usually try to either use two
lights or one light set up. And
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then I said everything up in my
dining room. No, kid actually have
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a studio, so I move like
the dining table out and I'll use a
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for that that photo they were just
talking about, I used a sheet,
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kind of nailed it up to the
wall and let it hang down. That's
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how I got the black background.
It's really dark. Yeah, yeah,
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and then I also have a white
one that I'll use also. Then I
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set everything up and you know,
everything's already planned out in my mind and
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I usually can get my shot within
five shots. Wow, I guess that's
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the advantage of having a vision,
right, because I do a lot of
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street photography and I can't plan anything
and I end up having to take like
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a hundred shots just to get one
that I would even present to anybody.
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Yeah, so that's kind of a
real flip right there, having the vision
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and knowing what you want to see
in your camera before you ever start.
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What about Blm? That was that
in your living room too? Where's that
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outside? That looks like a sunflair
right. Yeah, that one's actually outside.
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That was when I was really just
starting to learn. Yeah, so,
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and I was putting ads out for
people to let me take their portraits.
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Oh Cool, and this guy contacted
me and said Hey, you know,
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you want to do this? It's
like yeah, like, can I
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wear my my blm shirt? I
was like sure, let's do this.
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Yeah, please do I'm brought I
think, and I do this with the
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flag, and he's like yeah,
let's do it. So we went out
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took photos. Dude, that came
up sick looking. Looks Great. Yeah,
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I was really happy with that one. I got a lot of good
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photos out of that one. Actually, what you said, you put ads
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up, so tell me a little
bit about that. That's pretty bold.
393
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That's an audacious thing to do.
Yeah, I put ads up on facebook,
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just sort of like local, of
like the classified it's like hey,
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little market, tell you let me
take you yeah, you let me take
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your picture, then I'll give you
the print for free. So it's just
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kind of like, if not,
I'm not charging anybody anything. You know,
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I'm actually coming out of pocket here, but I get an image and
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I get practice and experience and move
forward from there because when I first started
400
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with a camera, one of my
favorite photographers, I really liked his work
401
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with Lee Jeffreys. He does a
lot of photography portraits with the home lift
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community. Right, yeah, and
his works very inspiring. So that was
403
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kind of like I want to kind
of, you know, fit if I
404
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can do what he's doing in a
way as far as the look of it.
405
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Right, right, but then I
kind of gravitated and learned how I
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want to do things. Oh Yeah, Lee Jeffreys. I'm looking at his
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thing now. That dude. A
lot of his photography looks like some of
408
00:28:36.440 --> 00:28:41.269
the classic photography taken during the s
and during the does bull is really like
409
00:28:41.509 --> 00:28:47.069
gritty. You see all the wrinkles
and pores and just the grit of a
410
00:28:47.109 --> 00:28:52.309
human face? Yes, really intend
yeah, yeah, that is wild.
411
00:28:52.710 --> 00:28:55.589
Yeah, like just because if you
get the right light in the right shadows,
412
00:28:55.670 --> 00:28:57.819
like a even a middle aged person's
hands, you'll see all the wrinkles
413
00:28:57.859 --> 00:29:03.460
on their hands and their skin and
everything. That is awesome, very cool.
414
00:29:03.660 --> 00:29:07.460
Have you? Have you seen the
the giving hands that I did?
415
00:29:07.660 --> 00:29:10.730
Yeah, yeah, look at my
bad and Yep, yeah, that's over
416
00:29:10.930 --> 00:29:14.930
on, that's not on dation.
Yeah, and foundation. Yeah. How
417
00:29:15.009 --> 00:29:17.970
do you like the NFT thing?
What? How's it been exploring it?
418
00:29:18.049 --> 00:29:22.849
I know it's really hard to sell
anything, you know. So there's been
419
00:29:22.890 --> 00:29:26.440
difficult. It has been difficult where. But it's new, you know,
420
00:29:26.559 --> 00:29:30.559
a lot of people were still learning, a lot of people still coming in.
421
00:29:30.920 --> 00:29:34.920
I felt one N ft, which
was the United States of injustice.
422
00:29:36.440 --> 00:29:41.869
Nice, Congratstud that was in October. I haven't felt anything since. I
423
00:29:41.029 --> 00:29:47.910
felt prints, different kind of prints, but it is difficult, I think.
424
00:29:48.589 --> 00:29:53.380
I think the NT s faith if
going to be a good thing.
425
00:29:53.700 --> 00:30:00.940
Yeah, gonna be huge, for
sure, but it's if challenging. Yeah,
426
00:30:00.940 --> 00:30:03.420
are people aren't there yet. What
I am glad about is that we're
427
00:30:03.500 --> 00:30:07.450
there. We're doing it first,
not that I care about being first.
428
00:30:07.529 --> 00:30:11.529
A lot of times you hear that
you're the the term bleeding edge, like
429
00:30:11.690 --> 00:30:15.609
we're up here losing money on gas
and things like that, because we whatever.
430
00:30:15.690 --> 00:30:18.329
But I'm happy that I know these
things now, happy that I know
431
00:30:19.049 --> 00:30:22.720
what gas even is and how a
ledge, I mean how a how will
432
00:30:22.799 --> 00:30:26.359
it works, and that I have
some fucking crypto coins now to play with
433
00:30:26.519 --> 00:30:29.920
them. You know, all these
things are fine. So and plus,
434
00:30:30.119 --> 00:30:33.880
like like you, I'm an artist
forever. I've been an artist and I'm
435
00:30:33.920 --> 00:30:37.269
not going anywhere. I see this
as a new tool. It really gets
436
00:30:37.349 --> 00:30:41.029
frustrating, obviously to artist, when
you see junk and trashy art come out
437
00:30:42.029 --> 00:30:47.869
and make millions because they're part of
the Crypto Bro Gang and I'm like,
438
00:30:47.990 --> 00:30:49.980
well, I fuck it. I'm
not that, I'm not sad, I'm
439
00:30:49.980 --> 00:30:52.579
not trying to beat that, I'm
not going to be that, but I
440
00:30:52.660 --> 00:30:56.259
am still an artist and I do
like the idea that we can lock in
441
00:30:56.420 --> 00:31:00.579
our intellectual property rights and get some
royalties forever into the future. so that's
442
00:31:00.619 --> 00:31:06.369
really empowering and encouraging for people to
just keep making art. Absolutely and,
443
00:31:06.529 --> 00:31:11.569
you know, for me to have
a collector that hopefully one day will come
444
00:31:11.650 --> 00:31:17.049
along, they definitely got to have
a specific taste for what I do.
445
00:31:17.730 --> 00:31:22.160
Yeah, it's not for everybody.
Well, a lot of people away from
446
00:31:22.240 --> 00:31:26.039
it. Yeah, I'm well,
I was born and raised generally in California,
447
00:31:26.079 --> 00:31:30.119
San Francisco and Los Angeles both.
So your photography just hits home to
448
00:31:30.160 --> 00:31:32.680
me. It looks very comfortable.
It reminds me of most of the art
449
00:31:32.720 --> 00:31:37.630
I grew up on, photography particularly
pretty cool. What so you're in Georgia?
450
00:31:37.630 --> 00:31:41.470
Yeah, yeah, I'm in south
Georgia. That must be pretty wild.
451
00:31:41.829 --> 00:31:45.390
It is. I don't really have
any friends. So I'm the same,
452
00:31:45.829 --> 00:31:48.420
but I kind of I tried to
like I thought it was because I
453
00:31:48.460 --> 00:31:51.740
was in California. I didn't have
a friends there. So and then I
454
00:31:51.819 --> 00:31:55.500
went to Louisiana, then Oklahoma.
I just I'm a kind of person doesn't
455
00:31:55.500 --> 00:31:57.740
have friends. So I figured just
must be me and some just working on
456
00:31:57.859 --> 00:32:02.329
me right. But I noticed you. I had mentioned the other day on
457
00:32:02.410 --> 00:32:06.970
twitter that you gave your kid a
cameras. You have a son. Huh.
458
00:32:07.890 --> 00:32:10.730
Yeah, I have two sons,
my oldest woman, who is he's
459
00:32:12.089 --> 00:32:15.880
eighteen, my daughter who is sixteen, and then my youngest is thirteen.
460
00:32:15.119 --> 00:32:19.960
Fantastic as guy three kids as well. Yeah, I gave him the camera
461
00:32:20.079 --> 00:32:22.799
Cuz, you know, teenage life
is pretty tough, you know, a
462
00:32:22.920 --> 00:32:25.599
lot of things change seriously, and
trying to give him an outlet, you
463
00:32:25.680 --> 00:32:30.109
know. Yeah, now that's fantastic. I can't wait. The reason I
464
00:32:30.230 --> 00:32:31.950
brought that up is because kind of
what you're doing now, you're planting the
465
00:32:31.990 --> 00:32:36.869
seeds here in the metaverse, let's
call it, or just putting your art
466
00:32:36.990 --> 00:32:42.190
on the blockchain. This kind of
stuff will generate or generate, I was
467
00:32:42.230 --> 00:32:45.460
going to say generate generational wealth,
but yeah, those are the two actual
468
00:32:45.539 --> 00:32:49.539
words that I meant to say.
So the money that you make here could
469
00:32:49.539 --> 00:32:52.259
be left to all your kids and
then they'll pick up the torchs and start
470
00:32:52.299 --> 00:32:55.339
becoming artist perhaps, or at least
learn the value of nfts for whatever endeavors
471
00:32:55.380 --> 00:33:00.009
they're involved with. So I always
hope that my kids listen to this podcast
472
00:33:00.089 --> 00:33:02.569
and are out there making nfts and, you know, bringing home bags,
473
00:33:02.930 --> 00:33:08.890
but I don't actually know what they
do. Yeah, that would you know,
474
00:33:09.009 --> 00:33:15.160
that'd be great if they do generate
wealth and they continue to be you
475
00:33:15.240 --> 00:33:17.680
know, make money on secondary sales, right, and they will go to
476
00:33:17.720 --> 00:33:21.640
my kids. That would be that
would be wonderful. I think it will
477
00:33:21.720 --> 00:33:23.680
do. Look at your art.
Your art is that kind of timeless photography
478
00:33:23.759 --> 00:33:28.430
that will like continue down. Looks
like could be in national geographic like we
479
00:33:28.470 --> 00:33:31.109
talked about before, the life time. So it's not going away and you
480
00:33:31.190 --> 00:33:36.309
can't and because you staged it,
nobody else is going to capture that photography
481
00:33:36.589 --> 00:33:38.630
in the future either. They're going
to have to literally copy everything you did,
482
00:33:39.069 --> 00:33:43.619
and why? You know. So
absolutely. Yeah, I think you've
483
00:33:43.660 --> 00:33:46.019
got a lot going on here.
That's awesome. It's not gotten, you
484
00:33:46.140 --> 00:33:52.299
know, they're not getting there getting
recognition, you know, from a lot
485
00:33:52.339 --> 00:33:55.369
of my friends on twitter, you
know, things like that, but collectors
486
00:33:55.410 --> 00:34:00.130
aren't really paying much attention to it, or at least I don't notice that.
487
00:34:00.250 --> 00:34:02.609
They could be on the five lines
watching and waiting, but yeah,
488
00:34:02.650 --> 00:34:07.090
I haven't noticed that. I don't
think true art collectors have showed up yet.
489
00:34:08.010 --> 00:34:14.039
There are some interesting developments I've seen
that that'll make it better. I
490
00:34:14.119 --> 00:34:17.840
guess I forgot the name of the
platform, Thursday music platform. Now it's
491
00:34:17.880 --> 00:34:22.039
like one plus or stage up or
something like that, where they basically,
492
00:34:22.039 --> 00:34:25.949
if you want to go buy a
music nft, you just put your credit
493
00:34:25.989 --> 00:34:31.429
card on the website. So the
Website Converts immediately your credit card into crypto
494
00:34:31.630 --> 00:34:36.389
to an NFT and Bam you've got
it all. So once that happens,
495
00:34:37.469 --> 00:34:39.820
things will open up a lot more
quickly. That's cool. That's kind of
496
00:34:39.860 --> 00:34:45.300
like I think was that coin base. They're kind of going to start doing
497
00:34:45.380 --> 00:34:49.420
nft, but think as far as
allowing where people can buy them. Yeah,
498
00:34:49.460 --> 00:34:51.500
I could get it wrong about that. No, you're right. Well,
499
00:34:51.539 --> 00:34:52.690
I thought that. I think you're
right. I think they're opening their
500
00:34:52.730 --> 00:34:58.369
own NFT market place basically. So
if you have coins in your Coin Wallet
501
00:34:58.409 --> 00:35:00.130
or Your Coin Based Account, it's
going to be that much easier to buy
502
00:35:00.170 --> 00:35:04.809
an NFT. So really it gets
back to us being so early, and
503
00:35:04.969 --> 00:35:07.679
part of being a creative person or
artist is we're always looking for new things.
504
00:35:08.360 --> 00:35:10.719
So I yeah, we really are
here early. So I don't see
505
00:35:10.719 --> 00:35:15.679
any any harm and just building a
portfolio, minting things don't necessarily have to
506
00:35:15.760 --> 00:35:20.159
put on for sale, because I'm
thinking like, well, what if nothing
507
00:35:20.280 --> 00:35:22.909
cells in six months on open see? Like, well, like, I'm
508
00:35:22.989 --> 00:35:25.750
fine with that. I just like
well, literally, though, what happens?
509
00:35:25.789 --> 00:35:29.469
So do I have to pay for
gas to take those off the chain
510
00:35:29.510 --> 00:35:32.309
or I don't know yet. I
don't think open sea has even been around
511
00:35:32.349 --> 00:35:36.860
six months. You know, I
don't. I don't know how long they've
512
00:35:36.860 --> 00:35:43.820
been around it because I've only I
only discovered nfteeth in July and and I
513
00:35:44.019 --> 00:35:47.139
what I saw youtube video. I
can't remember who it was, but I
514
00:35:47.219 --> 00:35:52.170
saw youtube video and they was talking
about, oh, everybody's moving over to
515
00:35:52.250 --> 00:35:54.409
twitter. It's for a photographers go, if you know, it's really popping
516
00:35:54.489 --> 00:35:58.570
over there as a weird eye right, because it means, yeah, instagram
517
00:35:58.769 --> 00:36:01.010
is the perfect thing for photography,
for forever and now of a sudden everyone
518
00:36:01.010 --> 00:36:04.880
jumped onto twitter. Yeah, it's
I was like, let me go over
519
00:36:04.880 --> 00:36:07.599
to twitter and check this out.
I had a twitter account, but it
520
00:36:07.760 --> 00:36:10.360
wasn't really do anything. Yeah,
came back over and when I started in
521
00:36:10.400 --> 00:36:15.840
July, had eight, seven or
eight followers right, and then I noticed
522
00:36:15.880 --> 00:36:19.829
that, wow, people are really
over here, and then it just kind
523
00:36:19.869 --> 00:36:22.389
of grew from there and I saw
Hashtag Nft, hashtaging ifty, and I
524
00:36:22.469 --> 00:36:25.630
was like what is an innerity?
Yeah, so then I looked it up.
525
00:36:25.789 --> 00:36:29.309
You know, Youtube is like,
it's like a gold mine. I
526
00:36:29.469 --> 00:36:35.539
love it and I checked into it
and started learning about it and then I
527
00:36:35.739 --> 00:36:38.260
jumped into it. So, you
know, if anybody knew out there thinking
528
00:36:38.260 --> 00:36:45.860
about jumping nfteeth, take your time
and research, don't rush it and don't
529
00:36:45.900 --> 00:36:49.210
click any links, especially the ones
you think are trying to be helpful.
530
00:36:49.730 --> 00:36:53.690
Oh, absolutely, answer that question. Come to my discord or my favorite
531
00:36:53.730 --> 00:36:58.489
one is the people who say they
had their Wallet Act on twitter and then
532
00:36:58.530 --> 00:37:01.360
there's like five people in the commets
going hey, try out this expert over
533
00:37:01.480 --> 00:37:06.039
here, and they'll put a link
to an account with like five followers and
534
00:37:06.199 --> 00:37:09.199
some skizy weirdlooking profile pick. I'm
like, these are all hackers. They're
535
00:37:09.199 --> 00:37:13.280
all hackers claiming they got hacked and
claiming to help each other. I'm like,
536
00:37:13.440 --> 00:37:15.710
no, don't fall into those sess
pits either. Yeah, also,
537
00:37:15.869 --> 00:37:22.670
don't, don't buy invitations to foundation. Nobody fell in the invitations to foundation.
538
00:37:23.070 --> 00:37:27.110
It's funny. How do you like
being on foundation? You have a
539
00:37:27.150 --> 00:37:34.380
preferred platform or do you think the
platform really matters? I like open fee
540
00:37:34.500 --> 00:37:37.300
because of cheaper. If you know, I paid the one time fee and
541
00:37:37.340 --> 00:37:43.139
then I can go on and mint
as much as I want. Foundation is
542
00:37:43.179 --> 00:37:45.650
a little more expense of as far
as that goes, you got to have,
543
00:37:45.849 --> 00:37:51.170
you know, the money up front
to men right away. So I
544
00:37:52.329 --> 00:38:00.760
prefer open see because of the expense. Yeah, I started looking into object
545
00:38:00.199 --> 00:38:06.639
TESOS. I'm a big TESOS fan
because there's there's no gas. So half
546
00:38:06.679 --> 00:38:08.920
the time I'm just spent ranting about
Teslos because there's no gas and there's a
547
00:38:08.960 --> 00:38:13.949
lot of artists and musicians have built
their platforms and I jumped over to Teslos
548
00:38:13.989 --> 00:38:17.070
because, having been from the music
industry, there was a lot of big
549
00:38:17.190 --> 00:38:22.710
music companies have deals with Tzo's based
platforms. So I'm like, okay,
550
00:38:22.789 --> 00:38:27.500
well, if they're banking millions on
that without telling anybody, I'll just go
551
00:38:27.699 --> 00:38:31.059
dabbling it. So, yeah,
use some tezos on objectscom is pretty cool
552
00:38:31.099 --> 00:38:35.219
too, because there's lots of cool
collectors. It's almost like that's where all
553
00:38:35.219 --> 00:38:37.860
the cool kids went to go start
collecting, like truly collect art instead of
554
00:38:37.860 --> 00:38:44.130
playing profile pick games. Yeah,
yeah, but I know a lot.
555
00:38:44.210 --> 00:38:52.489
I don't know about the the market
place you were just talking about, but
556
00:38:52.610 --> 00:38:57.079
I know the other one that that
one to replace. He was called Oh
557
00:38:57.239 --> 00:38:59.360
hen, but I don't know how
to say it. Yeah, called Hen.
558
00:38:59.559 --> 00:39:04.199
Yeah, yeah, I think that's
what's called an now hen people were
559
00:39:04.239 --> 00:39:06.599
over there and you'd go over there
and check it out and then you know
560
00:39:06.639 --> 00:39:10.789
they're filling their artwork for like a
couple dollars, and I'm like yeah,
561
00:39:12.150 --> 00:39:15.309
I don't think so. Yeah,
yeah, now they've. They've gotten wise
562
00:39:15.389 --> 00:39:19.469
though. Now people, especially with
Tesos, because it's much so the cool
563
00:39:19.510 --> 00:39:22.869
thing I found was that the two
gas fees were next nothing, like pennies
564
00:39:22.949 --> 00:39:27.579
instead of dollars, literally, so
to a mint something on tesl's. I
565
00:39:27.619 --> 00:39:30.619
think it cost me like seventy five
cents something like that, right, and
566
00:39:30.699 --> 00:39:34.579
I know that's a lot of it's
a huge reason why people were jumping over
567
00:39:34.619 --> 00:39:38.730
there. I think I've heard,
you know, rumors about etherium to where
568
00:39:38.730 --> 00:39:42.250
they're supposed to be, like,
Oh yeah, Uni gas these with that
569
00:39:42.289 --> 00:39:44.809
as well, but nobody knows when
that's coming out, as far as I
570
00:39:44.969 --> 00:39:49.610
know. Yeah, my bets hedged. Have etherium and poably gone and Tezo's.
571
00:39:50.010 --> 00:39:52.039
I'm on open sea and I'm on
object. So and I see it
572
00:39:52.119 --> 00:39:54.559
as two different market place. I
see is open sea is kind of like
573
00:39:54.679 --> 00:39:59.320
the good mall. It's a Nice
Mall with the chanelle store all that shit
574
00:39:59.400 --> 00:40:02.880
in there. And I see object. No offense, I love object but
575
00:40:02.920 --> 00:40:06.519
I see it as the old common
mall, the Old Mall on the other
576
00:40:06.599 --> 00:40:10.070
side of town where they got the
discount stores. Yeah, so I priced
577
00:40:10.110 --> 00:40:15.269
things accordingly and I designed things accordingly
and you know, people get different levels
578
00:40:15.309 --> 00:40:17.349
of art, but it's still it's
all experiment. I think it's fascinating.
579
00:40:17.429 --> 00:40:21.150
It's sometimes it's too much for me
to think about. I get a little
580
00:40:21.150 --> 00:40:23.380
hyper about it, but it's fun. Why not be there? Yeah,
581
00:40:23.420 --> 00:40:29.619
it's a little overwhelming sometimes. That
and foundation. It seems like if like
582
00:40:30.300 --> 00:40:34.139
where, if prevented the people with
Oh this is where the higher end,
583
00:40:34.860 --> 00:40:38.130
the higher quality work is placed,
I think. So turth of open see
584
00:40:38.289 --> 00:40:42.769
and I'm like, listen, I'm
going to put my work where I can
585
00:40:42.809 --> 00:40:49.289
afford to put it. was is
foundation by approval or invite only? Foundation,
586
00:40:49.369 --> 00:40:52.960
you have in invitation only. See, I think as a legit right
587
00:40:52.000 --> 00:40:55.880
later you can go and you know, you can obviously set up something in
588
00:40:55.960 --> 00:40:59.719
purchase, but as far as a
creator goes, yeah, you got to
589
00:40:59.760 --> 00:41:04.429
have an invitation. You gotta like
apply and be approved right now. If
590
00:41:04.469 --> 00:41:07.909
I mighty just gave me an invitation, wowcome and I just went on.
591
00:41:07.070 --> 00:41:10.030
And so it's got. You got
to get it from another creator. Oh,
592
00:41:10.070 --> 00:41:14.150
kind of like when a clubhouse and
those things came out last year.
593
00:41:15.150 --> 00:41:17.309
Tells how they work. You had
to get invitation AAn before opened up to
594
00:41:17.389 --> 00:41:22.139
everybody. They were doing that for
like three months. Really. Yeah,
595
00:41:22.179 --> 00:41:25.820
yeah, it was weird. I
just got on club house recently. Do
596
00:41:25.900 --> 00:41:30.099
you like it? I'm not.
I'm not a fan of club house or
597
00:41:30.219 --> 00:41:35.530
discord. I can't do discord.
Too much for me to overwhelming. I
598
00:41:35.809 --> 00:41:37.849
do like conversations. What I'm thinking
of doing, that's why I brought it
599
00:41:37.929 --> 00:41:43.929
up, is the folks that I've
talked to on this podcast is forming a
600
00:41:44.090 --> 00:41:49.039
small cabal of people that's could do
a twitter spaces together. So if there's
601
00:41:49.079 --> 00:41:51.880
four or five of us, there's
power and numbers, right, and then
602
00:41:51.880 --> 00:41:54.360
if we get up there and host
as a group and we invite our you
603
00:41:54.440 --> 00:41:58.679
know, few followers, well it's
going to look like a big twitter spaces
604
00:41:58.679 --> 00:42:01.829
all of a sudden and it might
be actually pretty impactful. That could be.
605
00:42:02.030 --> 00:42:06.030
That sounds like a great idea.
Yeah, because the folks I've talked
606
00:42:06.030 --> 00:42:07.670
to are interested in doing it,
but nobody wants to do it alone,
607
00:42:07.909 --> 00:42:10.389
which I understand. I don't want
to do it alone either, but I'm
608
00:42:10.389 --> 00:42:14.190
like, Whoa, and we've all
talked. Now we're all like talkable.
609
00:42:14.269 --> 00:42:15.579
We can talk on the on a
mic and, you know, we get
610
00:42:15.579 --> 00:42:19.820
our point across clearly. So like
yeah, so I'm going to put you
611
00:42:19.900 --> 00:42:22.260
on the list, dude, will
do some twitter spaces after the first of
612
00:42:22.300 --> 00:42:25.099
the year and ramp that up,
because there's any way to help each other
613
00:42:25.139 --> 00:42:29.980
out. Oh yeah, that sounds
good. I haven't. I've been in
614
00:42:30.090 --> 00:42:32.889
the twitter spaces and I've listened.
I've spoke maybe once or twice. You
615
00:42:32.929 --> 00:42:37.289
know, I don't really like public
speaking very much, but I'm trying to
616
00:42:37.329 --> 00:42:40.530
trying to evolve and get used to
it, do it more so it doesn't
617
00:42:40.570 --> 00:42:45.519
make me as nervous or give me
any anxiety. Yeah, hope of flow.
618
00:42:45.519 --> 00:42:46.679
I'll get better at that. I
think the same thing, because I
619
00:42:46.719 --> 00:42:51.840
don't like public speaking either and I
don't think what we're doing qualifies as public
620
00:42:51.880 --> 00:42:53.559
speaking to me. It just like
it's two people talking, we happen to
621
00:42:53.599 --> 00:42:58.119
be recording and then it goes on
the on the Internet for everyone to hear.
622
00:42:58.199 --> 00:43:00.030
But I don't feel any pressure right
now. You know, with right
623
00:43:00.110 --> 00:43:04.190
that's how yeah, exactly. I
feel the same way. And then as
624
00:43:04.269 --> 00:43:07.429
we've talked, I've gotten more comfortable
with you and the whole setting. So
625
00:43:07.750 --> 00:43:09.269
it does help to do things this
way. But if I if we had
626
00:43:09.389 --> 00:43:13.500
other people in the room right now, it might make a little difficult.
627
00:43:13.739 --> 00:43:15.300
Yeah, yeah, I agree.
I think there's some magic still to podcasting.
628
00:43:15.340 --> 00:43:17.340
A lot of things keep rushing by
like Oh, are you going to
629
00:43:17.380 --> 00:43:20.500
do live stream? You do video, and I'm like no, I don't
630
00:43:20.500 --> 00:43:22.619
know. I like I drive a
lot, so I like things that I
631
00:43:22.659 --> 00:43:27.369
can do with just my ears because
my eyes are busy doing other things.
632
00:43:27.929 --> 00:43:31.050
So just the one on one podcast. I Love Them. So I think,
633
00:43:31.090 --> 00:43:32.449
Oh, yeah, yeah, this
is a good way, but it
634
00:43:32.610 --> 00:43:37.889
is like a gateway drug to us
being public speakers in a thing like twitter
635
00:43:37.969 --> 00:43:42.039
spaces. That seems like the next
logical kind of small step, without freaking
636
00:43:42.079 --> 00:43:45.320
anybody out too much, including myself. Yeah, you know, I like
637
00:43:45.519 --> 00:43:50.119
twitter spaces as far as you know, being able to bring people together and
638
00:43:50.239 --> 00:43:54.710
everybody to share ideas together one time. It's great for conversation. Yeah,
639
00:43:54.909 --> 00:43:59.070
yeah, yeah, that's awesome,
man. What's a good way for people
640
00:43:59.190 --> 00:44:02.630
to your favorite way? What's your
preferred way for someone listening to follow you
641
00:44:02.949 --> 00:44:07.309
or get in touch with you,
to check out your artwork? The best
642
00:44:07.389 --> 00:44:14.780
way is twitter. Cool, cool, and that is at Shawn F H
643
00:44:14.900 --> 00:44:21.780
a. you in underscore Johnson Seventeen, and I will also put the link
644
00:44:21.820 --> 00:44:23.329
to that down in the note,
so if you're clicking around, you can
645
00:44:23.409 --> 00:44:29.210
just click right to Sean's twitter account. I'll also put your opensee thing too,
646
00:44:29.329 --> 00:44:32.889
so there are fewer clicks away from
actually seeing your photography. Because that's
647
00:44:32.929 --> 00:44:37.489
great, dude, and you've got
it priced really fairly. So I think
648
00:44:37.570 --> 00:44:39.800
it should move. And you know, I was trying to be encouraging.
649
00:44:40.000 --> 00:44:44.880
But one of the things we were
talking about the last podcast was there's over
650
00:44:45.039 --> 00:44:49.880
two million songs on spotify that have
never ever been played, including by the
651
00:44:50.000 --> 00:44:53.590
people that posted them. So part
of the issue with quality art? It's
652
00:44:53.630 --> 00:44:59.429
not it's just that we're not in
the investor CRYPTOBRO club sharing around whatever trading
653
00:44:59.510 --> 00:45:01.630
cards were trying to hype up to
make more money. We're that's just not
654
00:45:01.789 --> 00:45:06.190
us. So true artists have to
support each other. So when I see
655
00:45:06.230 --> 00:45:10.099
good art and I'm like, well, that's an awesome person, let's let's
656
00:45:10.139 --> 00:45:13.300
ask how did you get so awesome? How did you do the thing?
657
00:45:13.340 --> 00:45:15.980
Because I think that really gives my
listeners hope that there's, you know,
658
00:45:16.059 --> 00:45:20.619
other things you can do in life
besides working for the man, contributing to
659
00:45:20.699 --> 00:45:24.929
a capitalist, you know, downfall
of the world and just being miserable.
660
00:45:24.969 --> 00:45:30.010
You could actually change through art.
So I really appreciate you sharing all what
661
00:45:30.130 --> 00:45:32.650
you do and and the quality of
your art. Yeah, and I you
662
00:45:32.690 --> 00:45:36.079
know, I appreciate your support.
John. Every time, you know,
663
00:45:36.159 --> 00:45:39.079
we've had interactions on twitter, it's
been pleasant. I appreciate that and I
664
00:45:39.159 --> 00:45:43.960
appreciate, you know, the support
and give to me this platform to speak
665
00:45:45.000 --> 00:45:47.119
and, you know, tell my
story a little bit. So it's I
666
00:45:47.239 --> 00:45:51.510
do still working out of five,
though I'm not living off my art.
667
00:45:51.949 --> 00:45:53.869
Yeah, yeah, same thing.
I think we'll continue to do that for,
668
00:45:54.110 --> 00:45:57.349
you know, a couple of years, but the fact that we're starting,
669
00:45:57.869 --> 00:46:01.269
we're in it right now and our
stuff is available on the the blockchain
670
00:46:01.309 --> 00:46:06.260
if anybody wants to buy art like
that. So definitely continue to hype your
671
00:46:06.300 --> 00:46:08.940
art and I will put your links
down here and on the show notes for
672
00:46:08.980 --> 00:46:13.219
the listener. So, man,
you did killer. I there's hardly anything
673
00:46:13.300 --> 00:46:15.940
I have to clip out, which
means I can get this episode out real
674
00:46:15.940 --> 00:46:19.889
soon. Well, I'm appreciate.
I appreciate. I'm glad that it's been
675
00:46:20.050 --> 00:46:22.090
very easy for you. Yeah,
yeah, how was it for you?
676
00:46:22.210 --> 00:46:24.570
Good? Oh, yeah, I
enjoyed it and you know, I wouldn't
677
00:46:24.570 --> 00:46:28.690
mind doing it again. Cool,
then we will do it again because,
678
00:46:28.969 --> 00:46:31.289
you know, once I find a
guess that actually works, it's much easier
679
00:46:31.329 --> 00:46:35.440
to go back and say, Hey, let's check in with Shawn and see
680
00:46:35.480 --> 00:46:38.519
how he's doing for Valentine's Day or
you know however that works out. It
681
00:46:38.599 --> 00:46:43.880
sounds good. Yeah, I definitely
have. I have more art. I
682
00:46:44.039 --> 00:46:47.829
have about four to five pieces right
now that I want to get done.
683
00:46:49.429 --> 00:46:52.869
I haven't put out much lately,
but it's been mostly because of the holidays.
684
00:46:52.909 --> 00:46:54.630
It's been real busy, you know, with family and things like that.
685
00:46:55.510 --> 00:47:00.469
So hopefully I can get some art
out very soon. Well, I
686
00:47:00.550 --> 00:47:02.659
think you've got enough to get people
started for sure. Like, we don't
687
00:47:02.699 --> 00:47:05.980
have to create a piece a day, or even a piece a month or
688
00:47:05.980 --> 00:47:08.260
anything like that. Right, so
take that's the goal. Actually, I
689
00:47:08.380 --> 00:47:12.420
try to create one a month.
That leaves okay, that's a reasonable schedule.
690
00:47:12.460 --> 00:47:17.289
I watch a lot of old art
documentaries and man, we push ourselves
691
00:47:17.329 --> 00:47:21.130
so much harder than the artist of
the past. They would just like make
692
00:47:21.210 --> 00:47:24.210
our whenever they felt like it and
sat around a drink wine and did cocaine
693
00:47:24.289 --> 00:47:29.130
and whatever they did. And I'm
like what the Hell? We're all sitting
694
00:47:29.170 --> 00:47:31.880
here with road maps development teams.
I'm like, now, let's back up
695
00:47:31.920 --> 00:47:36.519
a second. Let's go back to
the days of like Picasso or some Shit.
696
00:47:36.559 --> 00:47:38.440
I'm going to the Mediterranean. Was
gonna paint when I feel like it,
697
00:47:38.480 --> 00:47:43.519
can drink wine all day. So
yeah, not to mention social media,
698
00:47:43.679 --> 00:47:46.030
full time job. It is a
full time to just promoting, and
699
00:47:46.150 --> 00:47:50.590
we've talked about this on the show
before. A lot of artists we like
700
00:47:50.789 --> 00:47:53.230
creating art. We do not like
self promotion. It feels gross. It's
701
00:47:53.269 --> 00:47:58.510
just weird and it feels like a
time suck, especially when you're always denied,
702
00:47:58.739 --> 00:48:02.059
like decline, no, not buying. I'm like fuck, was why
703
00:48:02.099 --> 00:48:06.059
am I even here? So,
yeah, I kind of everything in some
704
00:48:06.179 --> 00:48:07.940
all doses right, because I still
need time to go outside and get some
705
00:48:08.099 --> 00:48:13.329
fresh air and look at the animals
and get inspired to make the next thing,
706
00:48:13.409 --> 00:48:16.489
because I'm definitely not inspired to make
anything while I'm staring at twitter.
707
00:48:17.489 --> 00:48:22.170
Definitely, and people, you know, take breaks whenever you feel you need
708
00:48:22.329 --> 00:48:25.849
to. You're tired, you're frustrated, to step away for you know,
709
00:48:27.010 --> 00:48:30.760
Short period of time. Yeah,
breathe exactly. I'd like. You know,
710
00:48:30.880 --> 00:48:34.559
I lied. I am actually inspired
when I look at twitter. That's
711
00:48:34.559 --> 00:48:36.920
wow. That's how I found you. I'm looking at your work right now.
712
00:48:36.920 --> 00:48:37.519
I'm like, Oh, yeah,
I got it. I got to
713
00:48:37.559 --> 00:48:39.800
get a better camera. I got
to go do some shit right now.
714
00:48:40.239 --> 00:48:43.949
So that's right. What are you
shooting with? anyways? What do you
715
00:48:43.989 --> 00:48:49.230
shoot with? primarily, how shoot
with a cannon, rebel t six nice.
716
00:48:49.349 --> 00:48:54.190
Yeah, I'm hoping that I can
sell enough art and favor up for
717
00:48:54.349 --> 00:48:59.659
a phony, a seven Ur for
that's what I want. Oh yeah,
718
00:48:59.699 --> 00:49:02.260
those are bad ass. Let's image
stabilizations pretty awesome, but it doesn't look
719
00:49:02.260 --> 00:49:05.820
like you need are you shooting with
the tripod on all these? It looks
720
00:49:05.860 --> 00:49:09.849
like for most of them I do. Some of them I don't, but
721
00:49:09.969 --> 00:49:14.610
most of them I do. Yeah, the TRIPOD, you know, give
722
00:49:14.690 --> 00:49:19.369
it less shake. Even they could
tell there's something super solid about Tripod shots.
723
00:49:19.409 --> 00:49:23.760
Yes, and I actually just bought
a Tripod I couple months back.
724
00:49:24.639 --> 00:49:28.320
So killer. You doing it right, man. I appreciate you, dude.
725
00:49:28.639 --> 00:49:30.360
So anytime you want to come on. We'll stay in contact through twitter,
726
00:49:30.440 --> 00:49:34.159
of course. I'm going to promote
this off and on for the next
727
00:49:34.239 --> 00:49:37.829
several days. I usually put it
in my little auto post Q. So
728
00:49:38.110 --> 00:49:40.789
yeah, it's sometimes it shows up
at zero in the morning because I'm like
729
00:49:40.789 --> 00:49:44.630
well, we're if someone in Japan
wants to see this or you know whatever.
730
00:49:45.190 --> 00:49:47.909
Yeah, so that's not me just
being obsessive. I just generally post
731
00:49:47.909 --> 00:49:51.789
a lot of stuff like that because
I think of twitter is like a river
732
00:49:52.070 --> 00:49:53.500
and if you're standing on the edge
of the river and you and it goes
733
00:49:53.539 --> 00:49:58.739
by, you miss it. So
I don't have any problem like posting what
734
00:49:58.900 --> 00:50:02.300
seems like an assassant, incessant amount. You'll probably notice it because you'll be
735
00:50:02.380 --> 00:50:06.579
tagged in it, but that's that's
fine. Just find it, find me
736
00:50:06.699 --> 00:50:08.690
the length and I'll promoter as well. Yeah, cool, I just retweet
737
00:50:08.690 --> 00:50:12.250
whatever you want to do. There's
no pressure, it just it. The
738
00:50:12.489 --> 00:50:15.690
podcast just grows like a tank.
It just keeps going and going and growing
739
00:50:15.730 --> 00:50:19.289
and growing without me having to do
much of anything that I don't like to
740
00:50:19.409 --> 00:50:22.920
do. So do what? Maybe
how many have you done before? I've
741
00:50:22.960 --> 00:50:28.800
been doing this for there's like a
hundred and something episodes really. Yeah,
742
00:50:28.840 --> 00:50:32.360
I've been doing it since before trump. Wow, yeah, I did not
743
00:50:32.480 --> 00:50:35.750
know that. Yeah, it just
will because of subtle you know, just
744
00:50:35.869 --> 00:50:37.389
been I just creep along, just
do my little thing. But, like
745
00:50:37.469 --> 00:50:40.150
I said in that when we started
I didn't really have a super tight focus.
746
00:50:40.630 --> 00:50:45.750
Earlier in the podcast it was just
me winding about being mentally ill at
747
00:50:45.789 --> 00:50:49.309
the moment, but now I'm less
mentally ill and I'm like, Oh,
748
00:50:49.389 --> 00:50:52.300
let's focus on cool things, like
the things mentally ill people do like create
749
00:50:52.380 --> 00:50:57.940
art or you know, whatever.
Yeah, clear goal really will change a
750
00:50:58.059 --> 00:51:00.139
lot, you know, far as
what you can achieve in the sixths.
751
00:51:00.699 --> 00:51:04.570
And that's why I'll get it.
I'll get image in my mind or something
752
00:51:04.730 --> 00:51:08.889
and I'm like, I want to
put this together, but my my purpose
753
00:51:08.969 --> 00:51:12.849
of it's just not clear enough.
You know, my methode of a clear
754
00:51:12.889 --> 00:51:15.449
enough. So I'll, you know, think about a little longer. Yeah,
755
00:51:15.489 --> 00:51:19.159
I do the same thing like all
the time. Like I don't like
756
00:51:19.960 --> 00:51:22.599
for two thousand and twenty two I'm
like, I have three art projects in
757
00:51:22.679 --> 00:51:25.360
mine and not not a one of
them is super defined, but they're all
758
00:51:25.400 --> 00:51:30.039
awesome. I'm like, well,
pick one and go take the other two
759
00:51:30.079 --> 00:51:35.269
behind the shed and shoot him just
that's hard to like decline your ideas because
760
00:51:35.309 --> 00:51:37.670
he's always think everyone's good, or
I wouldn't have thought of it. But
761
00:51:37.909 --> 00:51:40.989
right, yeah, it's going to
be happy to well, I had to
762
00:51:42.070 --> 00:51:45.389
learn to look at my work objectively. You know, is it really as
763
00:51:45.510 --> 00:51:49.780
good as I think it is?
You know what's wrong with this? What
764
00:51:49.900 --> 00:51:52.179
could be better? Can I do
something different here? You know? Yeah,
765
00:51:52.179 --> 00:51:55.019
yeah, if that's hard to self
edit to, and it's also hard
766
00:51:55.139 --> 00:51:58.940
when most of the people around you, if you're doing work better than they
767
00:51:58.940 --> 00:52:01.050
can do already. All they're going
to tell you as yeah, it's fucking
768
00:52:01.090 --> 00:52:06.369
awesome. So it's hard to find
like a true critic to say, yeah,
769
00:52:06.409 --> 00:52:08.289
you could have adjusted light here little
differently, or would I would have
770
00:52:08.289 --> 00:52:12.369
done? Like? I don't have
that person. So it's always selfdiscovery and
771
00:52:12.929 --> 00:52:16.360
making lots of mistakes. Yeah,
well, I always look at it,
772
00:52:16.599 --> 00:52:22.119
you know, I typically get it
how I want to and I don't have
773
00:52:22.239 --> 00:52:25.320
too many people say, you know, you need to do this different or
774
00:52:25.360 --> 00:52:28.840
you should have done this. I
don't really get that very much. I
775
00:52:28.960 --> 00:52:31.869
don't. I don't know why.
I kind of expected people would. Yeah,
776
00:52:31.869 --> 00:52:37.869
I was listening to a street photography
show and the two guests had apparently
777
00:52:37.909 --> 00:52:42.550
met a famous street photographer and when
he had asked them to bring their portfolio
778
00:52:42.630 --> 00:52:46.659
for him to critique, they had
brought a portfolo that was so well refined
779
00:52:47.059 --> 00:52:50.739
that the street guy said, well, there's nothing for me to critique.
780
00:52:51.139 --> 00:52:54.340
You clearly have a voice already.
And like Oh, yeah, that's true.
781
00:52:54.420 --> 00:52:57.820
Like if someone has a vision in
a voice and they're on their way,
782
00:52:58.099 --> 00:53:00.650
well, you don't. Critics don't
have anything to do with that.
783
00:53:00.849 --> 00:53:06.250
They step out of the way and
let him continue there and be exactly he
784
00:53:06.329 --> 00:53:07.809
is. Not The good way to
look. Yeah, I think that's the
785
00:53:07.849 --> 00:53:09.650
point of ours. Like, once
you've established a voice, like when I
786
00:53:09.690 --> 00:53:13.639
look at your photography and I'm like, Oh, that's definitely a Sean Johnson,
787
00:53:14.119 --> 00:53:16.840
then you're doing your job. Then
you could do anything. Yeah,
788
00:53:16.960 --> 00:53:21.119
very much so, and I appreciate
that. You know, I do have
789
00:53:21.960 --> 00:53:24.639
other things that I do plan to
do that aren't social, you know,
790
00:53:25.079 --> 00:53:30.190
just this related. Sure. So, I don't know how much that will
791
00:53:30.230 --> 00:53:34.590
look like my other work. Yeah, that'll be exciting. Yeah, it
792
00:53:34.670 --> 00:53:36.710
will be cool. Man, will
come on and tell me about it when
793
00:53:36.710 --> 00:53:39.630
you get around to that. And
Wow, thanks for coming on. Send
794
00:53:39.670 --> 00:53:44.780
out. Tell your family thanks for
sharing you with the rest of us for
795
00:53:44.820 --> 00:53:49.460
a Saturday. I appreciate that a
lot and and have a happy holiday,
796
00:53:49.619 --> 00:53:52.780
if whichever one. Just celebrator,
if you don't Celebratinadia, I just hope
797
00:53:52.820 --> 00:53:55.409
you have a safe and happy one. While everyone else around us is in
798
00:53:55.489 --> 00:53:58.849
the mode, I'm like, all
right, shift in the Christmas mode a
799
00:53:58.889 --> 00:54:01.489
little bit. So right, I
appreciate you having me on. I really
800
00:54:01.489 --> 00:54:07.289
enjoyed it. Hope to do it
again and thanking you happy holiday which everyone
801
00:54:07.369 --> 00:54:12.639
can celebrating. Yeah, do and
I look forward to doing this. Fantastic
802
00:54:12.719 --> 00:54:15.519
man. I really appreciate you,
dude, and I'll talk to you on
803
00:54:15.599 --> 00:54:30.989
twitter, all right, thanks,
Shane. Take care everybody, and now
804
00:54:31.070 --> 00:54:31.670
back to the wall.