Transcript
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Welcome back to live from EMO Dojo. I'm John and here's the theme song.
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So, as you noticed, I
took the ads off. It was
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ridiculous, you know it was.
I think I explain last time. Sounder
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FM, my hosting company, implemented
this new thing where your podcast was now
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going to be monetized by default unless
you turned it off. It was easier
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to connect the stripe accounts, the
bank account than it was to turn off
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the monetization at first. And then
I listened to it and I'm like that's
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horrible, because all these big corporate
companies and the like. Well, maybe
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it'll pay for something. But then
I looked at how many ads were listened
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to. Hundreds of people were interrupted, their day was wasted at some point
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by an ad, and it equaled
like forty two cents. I'm like,
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that's stupid, that's embarrassing and sounders
should be ashamed of themselves. Artists make
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lots of money now, and Podcasters, I think, our artist. So
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interrupting people for forty two cents,
to interrupt hundreds of people's listening, that's
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a ridiculous so just turn them off. You probably. I think they come
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off automatically. So they're no longer
on any of the episodes either, which
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is awesome. Not Going to do
the ADS, although if you want me
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to promote something, fuck I'm happy
to promote whatever you're working on. You
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can even send me an ad.
I'll read your ad because you're like you
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know where, you're a human and
if you reach out I'll do this.
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But now the corporate thing, just
playing random ads based on where you live
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or whatever fucking data they gathered on
you. Kind of thing you don't want
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to play. So I've got another
cool artist coming up on this weekend.
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Marcy is a appears to be a
painter. Not sure if it's digital.
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I'm almost certain it's real life painting. Probably looks like watercolor to me.
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We'll get more information, obviously,
from Marcy when we talk. That'll be
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great. And then I've got another
fella name. I think his name is
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Doug. I'll check. I'll let
you know next week for sure. And
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he's a photographer out of Georgia that
takes some Rad photos. So I know
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talking about art is one thing,
but we are talking. We're not having
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a video conference so that when I
talk to these artists we will have the
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best kind of audio conversation possible and
I'll get them to describe their art in
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meaningful ways so that you, a
listener, can going to get what they're
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trying to convey with their visual art. Cool, cool, I think.
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If you've heard on previous episodes a
talk about this thing called Neophilia, there's
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a neophilia and Neophobia, neo obviously
meaning new, phobia meaning fear, and
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Philia meaning love. Right. So
if you have neophilia, you have love
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of the new. If you have
neo phobia, and means you don't like
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new Shit, you won't like the
stick to tradition. Well, I have
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neophilia pretty bad and that just means
I'm always on the quest for new things.
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So that's kind of what led me
to the NFTE, the hype that's
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happening right now. I'm sure you're
sick of hearing from it if you're not
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into it, but I'll just explain
how and why I got to that point
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and the kind of the pit palls
of some of the things, and also
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just a reality check on success.
Right. So nfts as a thing had
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been around for a couple of years. There just was no use for them
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unless you had like cryptocurrency and that
just wasn't into cryptocurrency in a large part
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because I didn't have any money to
buy into it when it was affordable.
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So I just wasn't on my radar, and I think a lot of you
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are probably the same way and maybe
still don't have anything to do with it.
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Well, what a change was that
some market places, will call them,
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that's what they call themselves, opened
up, and basically a market place
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is like a website, like,
if you're familiar with the old website like
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deviance art, something like that,
where artists can just go put up their
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pictures or whatnot and try to sell
them. Well, a big one called
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open sea came about and let everybody
now, in a more organized way,
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sell their nft's, and then the
crypto people had something to do with their
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crypto because even though cryptocurrency is highly
valuable, it's the way of the future,
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all that sort of thing. But
if the rest of the world isn't
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caught up and not that many places
accepted as currency, what are you going
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to do while you're waiting for it
to increase in value? Hey, buy
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some art. That's what the old
school people with money sitting around did so
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why not use some of your new
school money that's just sitting around to invest
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in some art to try to increase
the value of your money while it waits
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for it to naturally increase on its
own? But then think about this,
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the people that did crypto and all
that. So let's call it like the
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generation x, not boomers, but
x people after that, right up to
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millennials. They grew up with games, Atari Nintendo, playstation xpots, et
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Cetera, and now all the online
gaming. But that all started back,
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like generation x, when they were
kids, when we were kids, and
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so they're used to the idea of
things being a game. So with the
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nft rage, that's happening now.
What's really happening in many of the test
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use cases are these profile pick projects. He's what I call PP project.
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They they try. They call themselves
PFP projects, but there's no fucking F
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word in profile pick, so they're
pep. You're working out a PP project
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anyway. The whole purpose of them
as gamified the purchase and collection, curation
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and anticipation of art. So that
art is largely generated by computers and it
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doesn't have a lot of merit by
traditional art standards. But that doesn't matter
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because they're just using it as the
faces of things to trade, like trading
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cards or pokemon cards, and not
to be little the trading of any of
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those things, especially trading profile picks, but that's kind of what they're doing.
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They're you know, they're signing value
to a thing that you know other
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people don't care about at all,
and that's totally fine. So, as
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an artist, you have to know
this going in, because you are not
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a development team creating code and tenzero
different profile picks and trying to figure out
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some quote unquote, utility for your
artwork beyond art. Now, any artists
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will tell you that art is utility
onto itself. The enjoyment that is the
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utility. If you're trying to do
anything else with it, good for you,
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but then you're expanding beyond the meeting
of art. Really you're moving from
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art to utility. I think that's
the kind of the beauty of art.
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It doesn't need utility. In fact, when you add utility to art,
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doesn't make it Uber Art or more
art or extreme art, it just it's
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still art by itself. In the
utility can always be removed. Art Is
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Art. It needs no utility.
So when you see profile pics and things
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like terms like Dev teams and utility
and, quote unquote community, what they're
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all talking about is investors into their
gamified investment scheme based on graphics. And
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again, that's probably not what you're
into. It's not what I'm into.
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What I'm into is locking down the
rights of anything I create so that in
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the future, if it becomes valuable, me or my offspring will get some
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of that value. That's pretty simple. But as an artist I have to
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realize like, okay, take music, for example. You can take youtube
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or music. There's an article that
came out a couple of years ago that
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was pretty telling and it mentioned how
spotify at the time had two million songs
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on its platform that had never been
played at all. That means even the
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person that uploaded it, or the
band that created the music, the artist
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that made the music, didn't even
listen to it themselves. This leads to
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the nft thing. If you got
artists out there scribbling out a piece the
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day you know it's junk, it's
garbage, it's chaos. Of course you
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can call it are you can call
a fucking pile of shit. Art literally
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a pile of Shit. You can
call it art, but you know,
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what's the true value of people?
Just if you're able to scribble something out
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without thought, day after day after
day after day, what is the value
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in that? Is it valuable at
all? I don't know. And if
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you know a million other people around
the world are doing exactly the same thing,
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hmmm, is there now? Where's
the value? Now you have to
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compete. Are you even clicking or
liking your own stuff? Are you sharing
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your own stuff? Back to the
spotify example, if you're not listening to
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Your Own Music that you upload or
if you're not even you know, would
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you even hang your own art on
your own wall, then? What are
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you doing there? You just like
scribbling with crayons all day long. Sometimes
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I see art and pretty much looks
like that. But you know, I'm
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entitled to my opinion and that's what
I think about some of the Shit I
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see on the Internet, especially on
twitter. Regarding NFTS. But if there's
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two million unplayed songs plus on spotify, imagine how many unseen pieces of art
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there are on open see like nft
art. There's tons that people have never
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even seen. So it's not going
to be easy to generate the kind of
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money you see people making in the
quote unquote nft world right now. What
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it is? It's people with development
teams that are already keyed into the crypto
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crowd to the people with the money
could because they work together at previous jobs
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and things like that and just know
each other from the space, as they
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call it. And there are a
few individual artists that make one of one
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pieces, you know, individual pieces
of art, like traditional artist, but
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in the digital realm. But these
guys who are making the big money,
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they're they've been doing it for twenty
years, so they're not new to digital
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art. They can make things that
you and I cannot make. They are
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legendary in that respect. So does
that mean we should not try NFTS?
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No, fuck no, get involved
now, get into it. So one
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of the cooler things that I found
about it is that to get an nft
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account you have to at least buy
a little bit of Crypto, Fifty Bugs,
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hundred bucks whatever, put it on
a wallet and learn all the steps.
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That's the cool thing. So I
learned how to do crypto and now
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I have some and regardless of if
my nft's ever sell, I don't know
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I don't care, but I'm going
to keep putting them up there and promoting
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them because it's a fun hobby.
But if, if they never sell,
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I'm going to just let that crypto
sit in there until it goes up and
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up and up and up and up, and then, you know, if
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I need it, ten or fifteen
years from now, and I would try
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to retire cool, I'll have some
crypto I could turn to cash or if
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you even need to turn it to
cash at that point, do you feel
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me? So there's no bad in
learning new things, investing in Crypto for
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a little bit, you know,
if you got a few extra bucks,
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and I hear you. If you
don't have any extra bucks, I know
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I've been there and I don't plan
on going back, and this is one
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of the ways how I plan to
stay out of that, you know,
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poverty. I guess, is to
you know, invest in your trust,
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in yourself when you can and try
to keep pushing it forward. But then,
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of course, in Crypto you also
have to beware of the hype boys,
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the salesman and things like that.
Effectively like the Tony Robbins of the
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world, the Gary v's of the
world. These people are manipulating people's emotions,
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the taking psychological techniques that we science
have known for a while, but
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just marketing and advertising. People have
code of ethics and have not used them
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to hypnotize and brainwash people into multilevel
marketing schemes. But there's new people that
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do this and they're out there cult
of personality. By my thing, you'll
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be important as long as you keep
buying into my thing. And, by
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the way, I'm keeping all the
intellectual property. So you know, that's
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that's why use quote unquote quote marks
around community when they all preach community,
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because it's really only it's fan club
Shit. It's multilevel marketing, crowd like.
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As long as you're paying to be
in the crowd and display it and
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promote it and maintain the hype and
the positivity, then you're in. There's
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no room for individuality, which is
kind of the keystone of a great artist.
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So I kind of sense, you
know, disconnect. Their great art
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comes from individual perceptions of their own
world. You know, brought forward after
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hours and years of trial and error, practice, critique, rints, wash,
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repeat over and over and again.
You know, twenty, thirty,
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forty years and now you have,
oh a genius cool, and that's the
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same way with digital art. The
people that are true digital artists have been
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doing it for twenty years. The
people that are playing money games with you
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know, playing cards and profile picks, those are development teams and Crypto people.
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So where do we fit in?
Well, where we've always fit in.
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This is just a new way to
put your stuff. Frankly, if
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you've been just posting on instagram or
Pinter wrist or something like that, even
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facebook, still just post some of
that up into an accounts that is on
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the blockchain so that all your stuff
is protected. Hell, if you make
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memes, if you just make memes
and their original, you can put those
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on the blockchain and sell those.
They might not be worth much now,
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but they might be worth something a
lot twenty years from now when people look
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back on like, oh, remember
the original NFTA memes? It can happen.
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The more I think of this,
the more I just keep thinking it's
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the same that it's always been.
There's always hucksters and get rich quick people
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out there hyping the thing that they're
trying to sell and getting, you know,
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you to buy into it, thinking
that you'll be them. But they're
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an individual. You can't copy somebody
else's template your you. You have different
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resources. You started at a different
time. Things are different now. The
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whole thing. You can have the
same mindset and you could copy even the
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same steps of one of your gurus. It's not going to work out for
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you. You're not going to make
it not that way. You going to
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make it by being yourself. And
what are you going to make? Oh,
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you're going to become more of yourself, which that totally reminds me of
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some book I was reading, epicurious, something like that, maybe cast I
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can't remember, I don't know.
It was read about the stoics and doesn't
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doesn't really matter which one this particular
one was it, because it got right
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at me and the stoics were all
about virtue, like just be virtuous,
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be quiet, keep to yourself,
don't stir this shit. But one of
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the things was like don't talk so
much about yourself, and I'm like fuck,
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that's that's all this show is is
me talking too much about myself.
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I thought about that several weeks ago
before I started hunting down guests, so
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I can, you know, share
and talk more about them and then you'll
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hear another. You know, podcast, how to make better podcast kind of
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podcasts or article or something thing,
and the whole thing is like no,
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be authentic, share about yourself.
The Michael Fuck. To Be Successful you
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have to be not a virtuous person
anymore. I'm confused. To talk more
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about myself, less talk with other
people. I don't know, mix it
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up. The great thing is,
though, I can do what I want.
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That's awesome. Just change tune in
next week see what the fuck John's
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going to do. Oh and I
am doing something new here. Check this
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out. All right. So update
on the voice acting thing? Yep,
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I'm still doing that. Like I
said, I think the last day updated.
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You have phone numbers of local talent
agents who book voice actors for local
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commercials and corporate things. So I'm
working towards that. It's a little slow
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now, so I'm going to kind
of put that on the burner through the
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holidays here and pick it up in
January. And the nonprofit thing, now
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here's an issue. I love the
drums, the drum idea emo Dojo's great
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for that. Or do I do? I don't want to have time for
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to and I really want to play
my drums and help others play drums and,
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you know, get the both the
physical exercise and the mental therapy,
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for lack of a better word.
I love that. But the other thing
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I think is important now as well
are the poor people, trying to get
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them into NFT's when they don't have
even a regular bank accounts. Well,
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I'm going to do a photo project
right take street photos, which means photos
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of people when they don't know their
pictures being taken. They're out in public
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and stuff, so it's okay to
take their picture. You have no reasonable
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right to privacy and public that's why
there's surveillance cameras everywhere out there. The
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twist is I am going to let
them know I did take their picture and
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let them know where it's going to
be on my gallery and if they want
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a part of it, to hit
me up in a little while and I'll
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put their picture up as an NFT, like a high end art and fte
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that you not high end photography like
you'd see in a gallery, but of
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Gritty Street photography featuring individual people,
and those people then have an opportunity to
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continually make royalties as the nft of
their's cells. So in a weird way,
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it's kind of like those TV commercials
where you could adopt a starving child
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in a foreign country or adopt a
broken animal and America. Well, this
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would be like adopting poor person or
anybody. Really doesn't even have to be
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a poor person. It could be
a rich person that happened to take a
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picture of. The point is I
want to be able to let anybody there
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to take a photo of in public
profit from their photo alongside me, as
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the photo sits on the Internet as
an NFTE forevermore. And the whole purpose
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of doing that would be so that
they would have to if they want to
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get paid, would be to get, you know, Coin Base App,
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get a phone, get a bank
accounts and then hook it up to a
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mask, I mean not to Meta
masks, you like a different like a
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ledger or something, and except the
royalties. So basically I'm going to have
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to come up with probably, I
don't know, hundred bucks or so.
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I got to get in a bank
account. Got To get the poor person
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a ledger, maybe not a hardware
wallet, preferably. I'd like to teach
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them right from the beginning. Anyway. There's a lot of other logistics involved,
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like what if they lose their ledger. Yeah, there's a lot of
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that going on. I mean,
I don't know, but my intent is
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in the right place, so I
think I can make it work. It
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is provocative, though. Could you
know? People just say you can't take
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pictures of people like that? Well, for one, yes, I fucking
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can, because I'm just as a
title to be outdoors as anybody else's and
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if I don't want my picture taken, I can go away. That's not
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the point. The point is I
go to some places where people are in
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some pretty fucked up spots, just, you know, looking dead on the
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sidewalk and stuff. They don't need
help, you know, but whatever doesn't
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bother me. I see it as
an outsider looking in on humanity, as
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if a person from like another planet, alien from another planet, came down
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and just was on a tour of
earth, much the same way we would
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be on the two were of a
zoo. So that is called humans,
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spelled H Oom l out you,
Ama and S. it's a Humanscom and
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that could be a nonprofit as well, humans dot Org, and I get
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on board people, onto the metaverse. I don't know. I'm into your
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input because you're going to have to
go on this journey with me, I'm
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not going to shut up about it
or stop podcasting. So, if you
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think I should have a nonprofit for
humans that on boards poor people into the
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metaverse and gets them hooked up with
NFT's and cryptocurrency, or emo Doo Joe,
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which is a drum therapy clinic where
people can come and beat on drums
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no pressure and get their Yah Yahs
out, either one. They both sound
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fun to me. Let me know
what you think is a cool one.
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So yeah, that's all I got
for now. I knew I could fucking
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talk for like a half an hour
without even thinking about it. So there
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you have it. Another podcast in
the CAN. By John. Oh Yeah,
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my name is going to be for
this art project, the humans one,
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my name is going to be June. It's the Jay Oom l out
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OH H N. You could find
me at junecom. The magic of all
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these weird ooml out names is that, while I can register them, most
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people don't know how to type them
on their fucking computer. So while I'll
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have like Humanscom on the back of
my truck or something and people might try
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to type it in, but they
won't figure it out. If they do
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figure it out, they'll actually get
to the site. Cool, right.
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But yeah, I'm creating yet another
character part of the Jay Lily project called
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June, and look for that.
Yeah, I get bored easy. So
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anyway, check in next week.
I appreciate you. This week I appreciate
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you all the time. Thanks for
listening and making me feel like I'm not
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so alone in the world when I'm
physically by myself. And next week I'll
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have a guest and the week after
that I'll have a guest. So we'll
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have a fine artist this week coming
up and the week after that a photographer.
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Awesome. If you want to be
on the show and just have a
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chat, we can work it out. Whether you want to just call in
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on your cell phone, if you
got the podcast set up in a mica
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or whatever. We'll do the best
to make you shine and I love hearing
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from you. It doesn't matter how
mentally ill you are or what type of
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art you do, let's talk about
it. Cool, all right, I'm
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John and I appreciate you. And
now back to the wall.