Transcript
WEBVTT
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Hey now what's happening in Johnny motions
are welcome back to Emo Dojo. Today
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I tried a new thing, an
experiment if you will. I gave the
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guest a choice to do the podcast
the normal way, the way we had
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done it before. Her name is
Marcy, she's an artist and she has
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bipolar disorder. So we talked to
her before about an ft art and things
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like that, which means she's big
on twitter, which is where nft artist
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primarily share their artwork and try to
get people to buy it. Since she
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does that, I gave her the
option to do twitter spaces, and twitter
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spaces as much like the clubhouse app
where you know people just show up and
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you can raise your hand to speak. Well, you can also record those
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spaces, and the idea was to
basically record her podcast in a spaces.
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So there's good and bad to that. If we did it again, we
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would do it differently, but this
was the very first time, so there's
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a lot of trial and error involved. Anyway, what I would do differently
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is promoted heavily in advance, but
more than that, I would promote it
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with an actual podcast. So in
the future I will probably record a podcast
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here with the guests and then the
following week do a twitter spaces where the
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guests and I talk again, but
with the inclusion of audience members that can
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do a Qa in real time with
their voices. So that's the idea for
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future podcast. And frankly, the
audio kind of sucks. So I'm not
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really proud of putting recorded audio from
a twitter spaces up into this RSS feed
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because, yeah, it's good content, but I'm into at least decent sounding
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audio. So you'll be forgiven if
you get into this a few minutes and
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say that I can't do it and
you know, go on to the next
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episode. I get it. I
understand them the same way. That said,
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it's a cool conversation. I love
talking to Marci. She and if
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you have bipolar disorder, you will
get it like you will understand that were
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conversation and where she's coming from.
Fortunately, because I agreed to host,
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I was in the right space and
I was able to host that was clear
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minded and able to keep us on
track, and that's awesome, because if
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we were both hyplomatic or often a
in a tizzi somewhere, it probably wouldn't
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worked out too well. Their work
up of technical issues and you'll hear them.
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But whatever, it's not that big
of a deal. I'm just going
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to call this a bonus episode because
of the sound quality. But know that
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in the future, if you want
to participate, we will have guests on
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and then a week later we will
talk to the guests live in twitter spaces.
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So if you don't have a twitter
account, you may as well get
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one. I mean, yeah,
I get there's stigma and a lot of
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people are proud that they don't have
twitter accounts or whatever, but I'm just
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saying, if you want to participate, yeah, do that, get a
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twitter account. All right, so
let's take a listen. This is what
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it sounds like when we recorded the
twitter spaces. And here's a conversation with
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one of my friends, Marcy.
She goes by the twitter handled be polar
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art, an artist in the NFT
space here Emo Dojo. How is life
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going in general for you? In
the past half a year we haven't talked
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and you know, just before the
holidays were Um, it's been back and
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forth. I have been in the
middle of a medical medication transition and you
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know those are always scary. Yeah, great, unknown. Yeah, it
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seems to be going pretty well.
However, my adhd seems to be exasperated
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right now and so I will be
talking to my doctor about that because I'm
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having a lot of like accidents,
like falling because my brain, my body
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is reacting before my brain has a
chance to process, before I move,
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and some always like dropping things,
and I did a little bit of research
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and found out that it is a
strong symptom of Adhd. So I'm going
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to talk to my doctor about it. What that is wild. I was.
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I had a problem with that last
week to the point where I thought
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I was had early on set all
timers or something. I was I was
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apparently the word spouse is bad in
the UK, so I hate to say
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it, but it's the word typically
is. So I was spausing so hard,
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back and forth, play old I
need to get the key stone,
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more of my key's glasses. Shit. I got to get it and I'd
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literally started shaking. I'm like,
what the yeah, it was really bizarre.
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I'm like, wait, do I
need drugs, because I'm about medicated
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for Adhd currently because it raised my
blood pressure. So the lesser of two
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evils is my blood pressure is lower
and my adhd is night self managed,
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which is true, especially when you
get those physical manifestations of it like that
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that you are unexplainable. Yeah,
I can't get I can't because of my
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bipolar. I can't really take adhd
medicine because it induces manic episodes for me
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because of the stimulant. But I
know there are some adhd medications that aren't
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stimulants. So I need to talk
to my doctor about that because it's pretty
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serious. I mean I the other
night I, instead of taking my my
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medication that I take at night,
I accidentally took the daytime medication and that's
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not really that could be pretty,
pretty dangerous. So but oh, yeah,
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yeah, is that? Sometimes you
end up doubling up exactly on man
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exactly. So That's interesting. Yeah, because when we talked before, I
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don't think we really talked about ads. No, because it's not like the
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predominant feature and my mental health,
it's really the bipolar, the depressive side,
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that is predominant. Yeah, I
have the same too, and my
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doctors tell me that they're kind of
cohabitate the minds of people off. Yes,
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both Adhd, which is kind of
it sucks because then you never know
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if, if you're being a SPAZ
or if you're suffering from hypel me I,
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because they're different. Yeah, they
definitely are, and in the last
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like month I was really, really
able to hone in on which one was
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which, but that's the first time
I've ever been able to do that.
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Could you put that differentiation into words? Um, yeah, the adhd just
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feels like like my body is hyperactive
but my brain isn't as hyperactive. With
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a mania, it's everything. It's
like my brain is going insane, insanely
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fast and and my body is going
fast. And so I think that if
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differentiation, I believe comes from the
differences going on in my brain. Interesting
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and the way you just framed it
also sounds like one of the differences might
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be the lag time in our bodies
catching up. When it's just ADH yeah,
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when it's adhd, our brain is
mber back and forth, your body
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has, you know, hard time
to catch up and then we start fumbling
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and running into walls and just weird
stuff. Like sometimes I feel like as
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an adult, grown up, I
feel like I have like growing stumbling problems
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like I did when I was growing
from a toddler to an adolescent. I
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just gangly weird things like yeah,
the doctors and though you don't have any
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other problem, that's Adhd and like
and I a great yeah, and then,
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you know what, I don't think
they ever talked about that, and
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so it was really interesting to kind
of come to that realization and I'm glad
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I did. Yeah, yeah,
I didn't know about until you just mentioned
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I didn't know that that was a
connection, but once you say it out
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like sense and yeah, yeah,
and I'm glad you put it into words
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that way, because being hyperactive does
feel like your mind is moving a little
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bit ahead of your body, whereas
being madic it feels like everything is full
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tilt. Yeah, the mania.
With the mania, the brain goes much,
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much, much faster than than it
does with the ADHD. Right,
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it takes on a life of it. Yeah, I feel I feel like
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with the Adhd it's more of like
a motor type of thing, whereas with
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bipolar it's racing of the brain.
I like how you said motor there,
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because this presents a really insidious problem. So with bipolar we also experience depression,
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right, and you would think that
that would be a time like,
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oh, okay, we're just depressed, that we can finally get some rest
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because we're really you know, body
doesn't want to move or whatever. But
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while I'm depressed, I still have
adhd, so that motor keeps driving.
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So I'd have no peace when I'm
depressed. The fucking motor just keeps man
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in and in it get up,
go, go, go, go.
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Yeah. So, yeah, that's
the cool way you framed that. I
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like that's a really good point.
Yeah, so what's up? Can you
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talk about your visitor? Yeah,
it was my niece and she lives in
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the Netherlands and my husband and I
are kind of pack rats and we have
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a lot of crap and the house
really needed to get cleaned and it took
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me a good month of strenuous cleaning. And so it was. It was,
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it was stressful and now I kind
of am winding down and trying to
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Oh yeah, trying to figure out
how to work my way back into spaces
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and into nft land. That's cool. I'm glad you got to take a
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normal life break because I mean,
and like I said, normal life is
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a lot of work, sometimes both
the the and the work preparing for a
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guest and then the hosting of a
guest, because I love hanging out with
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my closest people for certain amounts of
time exactly. But after a while I
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buy tolerance for any people or any
other being is limited and I start to
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get really fragile and I fear that
I take it out on people nearest me.
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So I don't think I'm a great
host for more than maybe four or
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five hours, okay, and but
that that's so. I'm always I get
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so wound up about trying to host
people as guests. So that is pretty
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pretty traumatic because there's a lot of
all. It's not just the cleaning of
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the house, it's the preparing.
Yeah, are am I doing it right?
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Am I being a good home?
Yeah, and this is family to
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family from a different country, so
you want to put on a, you
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know, good representation of life here
and all that. So I could imagine
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that's pretty stat. It was definitely
stressful and I definitely like like I was
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talking to Eric, Eric Inin art
there. I was talking to hand yesterday
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about like I feel like I've been
away from like the NFT world for like
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years now. You know, that's
like just been a couple weeks. Isn't
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why it really is. Hey,
Angie, time we was supposed to.
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Angie Vila. Yeah, so I
this is the first time I think,
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I've been kind of like back.
I haven't spoken. You cut out there
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for a second, Marcie, go
for the engine. I was just going
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to say that mercy made me to
leave the space and return to get back.
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So sorry you guys. There she
is. I'm so sorry. Yeah,
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that's okay. Yeah, my mom's
glad. There's Parkinson's and she just
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got back home from Rehab and she's
really not ready and so I was kind
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of trying to cordate. Couldn't but
that coordinate with my dad to go out
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there tomorrow. So I just called
me to give me an update. Everything's
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good. Everything's good for yeah,
sorry, I bought that. No worries,
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just always. My Buddy had has
two parents now, one that had
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Parkinson's and Alzheimer's, and it was
kind of sad. It was kind of
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like a normal thing, I guess, for US humans to watch us in
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two thousand and twenty two, but
it was super I don't know, it's
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like like that. I don't know
how to say it. With that,
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I don't know. Not Trying to
fend you, I'm just speaking to my
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friend's thing. But it was like
they died twice. They died when they
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lost their man and then, you
know, about a year or two later
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one of them passed away in the
flesh. But I like, I know
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that's troubling. That's I don't even
know how to process. So bless you
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and hope things get softer as they
come to a landing over there on that.
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Yeah, so let's move on to
aren't you want to start talking about
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or? Okay, because I'm really
curious what you've been up to, not
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last two weeks so much as the
past six months. So when we first
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talked in the NFT space you had
just made your first sale and tones of
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excitement. Everybody was excited about and
if yeps right, and everybody who is
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paying attention, most of people in
this room, that sort of thing.
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So that was awesome and studying and
your art is really unique stands out.
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Where where do you stand now?
How what has happened since then? Um,
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I started experiment with digital drawing and
painting and found it really, really
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gratifying for several months and kind of
stopped doing like physical artwork and just got
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really really focused in on that and
just read recently, like yesterday, the
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first thing I did after my my
niece left was I got some acrylic paint
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out and I just needed to play
around with the paint for a little while.
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So I'm I'm back now to,
you know, traditional materials and kind
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of my style is moving more towards
like a pure abstract with you know,
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know identifiable content within the painting,
and that's that's exciting for me. It's
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also kind of scary because abstract art
is really difficult. People don't really,
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I think a lot of times people
don't realize how difficult, you know,
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creating successful piece of abstract art is. Yeah, it's easy, it's easy
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to identify after it's been done,
but it's not easy to create. Yeah,
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it's very hard. Let's back up
a second. So what what interested
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you the most about digital and what
kept you in that mode for quite a
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while? Um, there were certain
things that are very kind of labor intensive.
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When you with painting, I like
to kind of make a mess on
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the paper so that it really like
sometimes I'll just like crumpled the piece of
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paper and like stomp on it and
just give it as much texture as I
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want, and a lot of times
I use like a razorblade or a sharp
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pen to mark up the surface and
with the digital aspect of it you can
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get this really rich color and you
can get this easier texture like that.
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That the ability to make texture is
much less labor intensive. And I last
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time I spoke with you it talked
about me having really bad arthritis, so
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that was very, very helpful.
That's interesting. That's a really good point
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too, because a lot of people
who listen to or find a podcast on
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mental health might have other disabilities,
such as mobility issues. So that brings
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up a good point digital art.
Had really thought of it in that sense,
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because sometimes I'm narrow minded. But
digital art is good for people with
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mobility problems, especially in the risk
right. Yeah, it's what it's very
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good. What did you use to
create? So people who hear this later,
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I mean like we see like five
people right here, but there would
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be five people every day for the
next year listening to this. So,
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but type of product did you use
to create your digital art? procreate and
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on the IPAD and a digital like
a pat you know, it's like a
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pen. Yeah, it's it really
is gratifying to see this really rich dark
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color come alive in a way that
you can't accomplish quite as easily with traditional
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materials. Yeah, yeah, and
I think it's both the ease and into
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it adness right, because they've done
a really good job with a lot of
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software making the intuitiveness really high,
so when you thinking of something, somehow
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the software knows what you want to
do and helps you do that. In
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the analog world, you know,
if you think you have an idea,
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it's hard to make paint react the
way you want paint to react and a
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texture and all the different things,
which goes to your point earlier about how
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much effort you, like physical effort, you used to put into creating textures
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and things like that. Yeah,
yeah, they've done an amazing job.
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Honestly, I I had no idea
what it was going to be like and
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what I would when I found people's
artwork that I liked and I could tell
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that it was digital, I would
always ask people what app they were using
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and it seemed like everybody was using
procreate. So I thought, you know
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what people are making the kind of
artwork that I like with this APP,
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I'm going to try it, and
it was. It was amazing. One
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of the things that I kind of
miss and I could still do with digital,
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but not quite as as easily as
in real life materials. is get
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like this complete random texture pattern whatever
by just throwing paint on a piece of
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paper right and letting the paint do
what it wants to do. It's not
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quite as easy to do with the
digital but it's easier than I thought it
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would be. Yeah, because you
brought that up the last time. We
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talked about letting the paint do what
it wants to do and the different yeah,
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crillics and oils and things like that. So I think that's kind of
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profound that and wonder how long like, for example, this would be cool.
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So, so you have a IPAD, right, and imagine if there
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was, because the IPAD has gyroscopes
and Shit inside. So imagine if you
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could paint with thicker or wet or
paint and then tip the ipad vertically and
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the paint will start to droop down
the page. Oh my God, that's
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awesome. Get on that adobe or
it's Getna. It'll, it'll happen,
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it'll happen, and you know what
that's that's exactly what I need. Yeah,
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it is better. You take your
just drop a bunch of blob of
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fake digital paint onto an hive pad
and then put it on it like a
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clay wheeled, spin it and it
would literally splatter your digital paint outward.
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That technology totally exists and I would
love to see that kind of realism that.
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So is that? Why? Is
that why you went back to let's
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call it organic are Um? There's
a couple reasons. Number One, my
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hands just had this this desire to
kind of like scrape the paint on to
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the paper or use, you know, like a credit card to move this,
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something like that to move the paint. I physically had this need to
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do that. But I also needed
it would I described it before, is
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kind of like a dance between the
material and my my hand or my body,
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and so I just had that kind
of longing for the material to tell
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me what it wanted to do in
a way that I couldn't do it with
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the digital. So I really needed
that interaction that I wasn't able to get
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with the digital. That's interesting if
you think digital will get there in our
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usable lifetime. Yeah, yeah,
I it. It filled that void pretty
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well for a pretty decent amount of
time and I will definitely be using it
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regularly. I there's a couple other
ways that it really fills that void for
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me is that what I've been doing
is taking pictures of the pieces that I've
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currently made in real life and then
digitally enhancing it, and the combination of
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the two is really spectacular and it's
something that I can't can't achieve with art
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materials itself. So it within it, within that, within the realm of
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kind of editing and improving upon what
I've already created. The possibilities with that
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or endless and and that's really it's
the joy of doing that is is intense,
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being able to, you know,
brighten my colors and make more texture
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on top of the physical painting that
I've already made, and it's just it's
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really gratifying. I'm happy that I
took that that I was open enough to
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take that journey, because I know
a lot of us traditional artists kind of
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can be a snob when it comes
to this new technology and I I'm glad
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that I gave myself the opportunity to
try something new because it is going to
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make me a better artist and it
already yes and it already has made me
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a better artist. I think.
Well, yeah, it's definitely broadened your
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horizons a lot of times, regardless
of be art I think technology has the
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same effect. Having been a drummer
for so long, for most of my
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life, drums are wooden. They're
made of wood and metal. That's it.
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And the idea that we switched to
a let to drums, for example,
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and compete with drum machines, most
drummers should like. No, no,
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they just became anti, anti anything
digital, and I've found that no,
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digital drums are actually a lot of
fun too, but it doesn't mean
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I don't still appreciate and like the
first ones or prefer the electric ones.
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But yeah, there's definitely if you
do it right and just going with the
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big sense of curiosity, I think
it's great because then you can really adapt
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it to the way you want to
and really expand your artwork instead of just,
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you know, you don't have to
stand this lane or that lane.
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Yeah, it's another it's another tool. It's another tool to make you a
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better artist. That's the way I
look at it. Yeah, and would
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like you talked about the layer in
there. We you take your organic artwork
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or photography of things like that.
And then morph them into a wholly different
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digital creation. With that core material. It's very much the same way of
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me dropping down a syncopated rhythm on
a drum machine and then going solo organic
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drums on top of that. They
both fit together, like how would they
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not fit together? Yeah, so
I appreciate that you take that that forward.
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Look, you and I are both
generation x, so you know,
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there's people definitely older than us,
but a lot of people our age seem
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to have kind of getting gotten stuck
in the I'm not. I'm not getting
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to the technology kind of mindset that
people who are proud of not having social
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media accounts and those type of folks. So I appreciate you for sticking in
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there and keeping up with a technology
on that aspect of it. Yeah,
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it's it's good to keep our minds
open and keep moving with the rest of
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the world and try to keep up
with it as much as we can.
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You know, yeah, we didn't
talk about this the last time, but
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the subjects kind of crossed my desk
a couple of times in the past week.
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And that's the difference between a hobby
and a profession. So you create
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professional level art, but I've never
really asked you if you considered yourself a
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hobbyist or professional artist or somewhere between. I it has to be somewhere in
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between, probably because, like a
I think that in a profession it really
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has to be a daily grind and
it has to be a consistent grind.
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That's kind of the that's one of
the reasons why I can't work anymore is
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because my my work is inconsistent in
terms of the quality of it and whether
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or not I would go to work
right just one of the reasons why why
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working just didn't work for me as
a person with a mood disorder. So
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I forgot that makes sense for me, I felt. Asked me, if
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we're talking about hobby versus, whether
they consider what it is. So definitely
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there's cost involved and there's lots of
effort involved and skill involved and in some
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cases, especially with people with mental
illnesses, there's the whole if I work
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too much, then I don't get
any benefits problem, which I'm setting aside.
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It's just the philosophical conversation more about
the effort that you put into a
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hobby and the reward you get for
that effort. Yea, yeah, because
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you're not. They're grinding for money. Right. You're not. While you
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do and you could make money,
your primary goal is not to grind out
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artwork simply to make money. It
sounds like to me that your primary goal
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with art is the vocation of art, just creating. And Yeah, I
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don't. I mean I I know
that. We say, why do you
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make our and and you know the
dance. The answer is different for everybody,
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but the true answer is that I
just life just isn't to me.
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Life just isn't worth living without ourt
and and and art is. To me,
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art is everything, like, it's
not, it's it's not just painting
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on a canvas or on a piece
of paper. It's, you know,
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it's the color that we paint our
cars and our houses and the flowers that
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basically entertain our brains and our eyes
and our senses. So I agree.
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Yeah, und so for me,
life just doesn't work living without art and
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I I don't feel alive if I
don't have some way to consume hurt and
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create our because I'm not, I'm
not in a vacuum when it comes to
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creating. I want to look at
other people's artwork, I find inspiration,
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I find you know, it's just
it just like just it's not worth living
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without being able to consume it,
but also, for me, it's not
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worth living without being able to create
it. Right. Yeah, do you
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feel like you get stuffed up and
angry if you have no way to expel
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your art from yourself? Yeah,
yeah, I, you know, I
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I describe it as being constipated,
just like if you can. Yeah,
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I was gonna use that word.
Yeah, thank if. Yeah, like
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if you if you feel like you
can't create, it's this, it's that
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feeling. It's that and it's a
desperate feeling. It's horrible when you want
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to make something deeply but you can't. And that's that's where that that's where
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that dance with the material comes in. I, because I work intuitively,
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I can get inspiration by throwing that
paint on. It's my front. Eric
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was describing it as you know,
looking at the clouds, were looking at
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marble and you your look at it
and you're like, Oh, I see
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a dog there. And so sometimes
I can't decide what to paint. The
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paint has to decide for me and
I just have to kind of like find
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it, you know, like that's
what that's what the beauty is of throwing
352
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the materials on the paper, on
the canvass. When you allow it to
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just kind of have a mind of
its own, you can find your inspiration
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within it. That I oftentimes can't. I can't create the inspiration. I
355
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have to find the inspiration. Yeah, yeah, the same. I invented
356
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a game with my kids. I
don't know, other people probably did it
357
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too. It's that super complicated.
But the game was the four of us
358
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would sit around and the first one
would draw a scribble, any scribble,
359
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on a big piece of paper,
like a you know, posterboard paper,
360
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and the next person had to turn
that scribble into something that the rest of
361
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us could understand what the hell it
was, and then the next person would
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go the circle. So, yeah, that was the inspiration was each of
363
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us would draw a scribble and it
was part of a weird competition thing because
364
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each the next person was determined to
make something out of that scribble, you
365
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know. So that's always a great
thing, finding inspiration in the weirdest places.
366
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Included other people scribbles. Yeah,
you know what, I I live
367
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across the street. I live in
Chicago and all that. I live across
368
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the street from a starbucks and several
years ago, when I was getting really,
369
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really serious about my artwork, I
would go to starbucks and I would
370
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ask the employees to scribble something on
piece of paper and then I would make
371
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a piece of artwork out of it. And that's that's exactly what finding that
372
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kind and a gem inside the marble
is is. It's it's it's just me
373
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paying attention to the material and seeing
what the material wants me to do with
374
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it. Yeah, so, yeah, love points. It's interesting because I'm
375
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curious how you think the end resulting, since the material kind of dictates the
376
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art in a sense that we're talking
about now. How do you feel your
377
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digital art is different from your organic
art? Um? I don't know.
378
00:32:04.720 --> 00:32:07.480
I have to think about that.
I yeah, have to think of it.
379
00:32:07.920 --> 00:32:10.279
No, it's not really a trick
question, but I can't know.
380
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I know self. You know,
because like in one medium it's basically a
381
00:32:15.359 --> 00:32:17.839
stylus and a piece of glass.
So there's not a lot of variety there
382
00:32:17.880 --> 00:32:22.279
except that through your brain, in
your mind is interpreting through your eyes,
383
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which is a huge variety right.
But then in the organic world everything is
384
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really slowed down a lot. You
could do everything that's possible right in front
385
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of your fingertips. And you know, you mix purple and red and you
386
00:32:35.880 --> 00:32:38.559
get a different Magenta type of thing. So, yeah, it's always interesting
387
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to me like what the what the
medium is dictating, especially when we simplify
388
00:32:43.839 --> 00:32:50.440
the medium to just a stylus and
glass. Yeah, yeah, I think
389
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that one of the main differences is
just the ability to interact with the materia.
390
00:33:00.000 --> 00:33:04.279
Ah, there's not. The glass
in the style is doesn't give you
391
00:33:04.400 --> 00:33:07.319
as much to work with as,
as you know, the paint does,
392
00:33:07.440 --> 00:33:10.359
because when once you get the paint
there, you can put your finger in
393
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there and you know, swirl it
around, you can put a razor blade
394
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in there, are pain in there
or pencil in there and you know move
395
00:33:19.559 --> 00:33:22.200
it around in ways that you can't
do digitally. But again, yeah,
396
00:33:22.200 --> 00:33:27.440
it did. But again, digitally
I feel has made me a better artist
397
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because he gives me the ability,
the ability to do things I can't do,
398
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you know, with real with real
materials. Yeah, yeah, our
399
00:33:37.279 --> 00:33:42.200
finger tips are really sensitive and it's
really bad for them to to embulate what
400
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we do with paint, for example, things like that. But it I
401
00:33:45.720 --> 00:33:50.039
see a day in the next ten
or fifteen years easily. We're like we
402
00:33:50.079 --> 00:33:52.559
talked about it. IPAD that you
could tip on its side and the paint
403
00:33:52.559 --> 00:33:55.200
will start to drip to the side
that same IPAD. You could flip a
404
00:33:55.240 --> 00:33:59.559
switch, you know, obviously a
digital switch on your screen, to say
405
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I want this to feel like sand
paper or Burlap, and the haptic technology,
406
00:34:04.119 --> 00:34:07.799
the vibrational things that make you feel
like there's an actual button under your
407
00:34:07.799 --> 00:34:12.960
home button on your iphone, that
kind of technology will make you feel like,
408
00:34:13.039 --> 00:34:15.719
oh, that's scratchy now, like
my stylus is having a hard time
409
00:34:15.800 --> 00:34:21.800
bumping over these scratchy paper and I
think that that will come a long way
410
00:34:21.840 --> 00:34:24.199
soon. Not I mean, I
love technology, but I'm not involved in
411
00:34:24.199 --> 00:34:29.639
it, so please hurry up at
the tech. No, you know what
412
00:34:29.719 --> 00:34:34.960
that's when you when you said having
a difficult like that, the style is
413
00:34:35.000 --> 00:34:39.599
having a difficulture or the pen or
whatever, having difficulty moving over the surface.
414
00:34:39.679 --> 00:34:42.840
As soon as you said that,
my brain was like Ding, Ding,
415
00:34:42.920 --> 00:34:45.480
Ding, Ding Ding. You know, it was like that's so gratifying,
416
00:34:45.639 --> 00:34:53.880
you know, because you're you're you're
being limited or you're letting the you're
417
00:34:53.960 --> 00:35:06.119
allowing the limitation of the material to
limit you. Basically, yeah, I
418
00:35:06.280 --> 00:35:12.639
said, I'm so glad you you
you have that analogy. I think a
419
00:35:12.639 --> 00:35:15.320
bit along because of the drum thing. And you know, first we had
420
00:35:15.320 --> 00:35:20.880
real regular drums and the first thing
that came out of that was a Synth,
421
00:35:21.159 --> 00:35:23.039
not a not an electric drum set, which is the synthesize. It
422
00:35:23.079 --> 00:35:27.519
sounded like drums. Yeah, it
went from one end of the far other
423
00:35:27.639 --> 00:35:30.880
and then finally we settle on the
in between. And I think it'll be
424
00:35:30.920 --> 00:35:35.440
the same with digital technology for other
artists as well. Like you'll go from
425
00:35:35.440 --> 00:35:39.400
one end to the far extreme of
glass and stylus right now, but soon
426
00:35:39.559 --> 00:35:44.039
that whole thing will just feel like
any substrate you want it to feel like.
427
00:35:44.039 --> 00:35:46.000
You'll probably feel hot and cold,
like when you touch paint, wet
428
00:35:46.039 --> 00:35:51.079
paint, it's a different temperature.
They have the technology to make our screens
429
00:35:51.119 --> 00:35:54.559
do that. It's just super expensive
right now. So I think the future
430
00:35:54.559 --> 00:36:00.239
of technology for artist is is huge
and it's going to be great. If
431
00:36:00.440 --> 00:36:02.880
we'll see it, I think we'll
see it, but who knows what the
432
00:36:02.880 --> 00:36:07.880
future after that hold. Yeah,
we'll see it towards like. I mean
433
00:36:07.960 --> 00:36:14.000
your what four, fifty five?
I'm fifty. So we'll start seeing it
434
00:36:14.119 --> 00:36:21.880
in the next decade. But you
know, people that are are millennials and
435
00:36:21.880 --> 00:36:25.199
people that haven't been born yet,
that's going to be second nature for them.
436
00:36:25.199 --> 00:36:30.519
Oh yeah, and it'll be augmented
reality, virtual reality. All with
437
00:36:30.559 --> 00:36:35.239
this hap to technology, like being
ready player one that movie where they bore
438
00:36:35.320 --> 00:36:38.559
the suits, to have to technology
suits that already exists. So the idea
439
00:36:38.639 --> 00:36:43.239
that everybody will have these in the
futures not super far off. Yeah,
440
00:36:43.280 --> 00:36:47.199
everybody will have at least some kind
of haptic Glob or are goggles to like
441
00:36:47.239 --> 00:36:52.199
expect walls of their home or whatever. But beyond that, just think of
442
00:36:52.239 --> 00:36:54.920
the applications for artist, it's just
admits, I love. Yeah, it
443
00:36:55.159 --> 00:37:00.360
is and would like what you were
describing with drums. It's just another it's
444
00:37:00.440 --> 00:37:07.400
just another tool to enhance your creativity. Yeah, to kind of bridge the
445
00:37:07.440 --> 00:37:13.480
gap from what you loved about the
organic world but with the expanded potential of
446
00:37:13.519 --> 00:37:19.079
the digital world. Yeah, yeah, so what's up are you? Are
447
00:37:19.079 --> 00:37:22.280
you selling things? We won't talk
about money specifically, but are you moving
448
00:37:22.480 --> 00:37:28.599
enough art to keep you motivated to
keep selling art? As NFT's Um,
449
00:37:30.119 --> 00:37:42.039
I have this evil little this evil
little monster on my shoulder that likes the
450
00:37:42.119 --> 00:37:52.159
validation of sales. I'm in a
lucky position where I don't have to make
451
00:37:52.199 --> 00:37:58.480
money as an nft artist in order
to survive, right, and that would
452
00:37:58.480 --> 00:38:06.920
be really devastating if I did,
because I I think I'm I think my
453
00:38:07.119 --> 00:38:14.119
art is good enough, but I
just can't figure out how to navigate,
454
00:38:15.559 --> 00:38:20.159
like life in general, when it
comes to like, when it comes to
455
00:38:20.239 --> 00:38:25.599
like being a quote unquote success.
So this is how my sales have come
456
00:38:25.639 --> 00:38:31.880
about. My sale sales have all
been the direct result of a relationship that
457
00:38:31.920 --> 00:38:40.480
I built with somebody. I I'm
not, at this point, the lucky
458
00:38:40.639 --> 00:38:45.880
artist who can put stuff out there
and people just buy it, and I
459
00:38:45.920 --> 00:38:54.960
think that's because of my inability to
be focused and consistent. I feel kind
460
00:38:55.000 --> 00:38:59.519
of like if I'm out there,
people see me, but when I'm not
461
00:38:59.559 --> 00:39:02.960
out there I disappear, whereas there's
some artists like my friend Nai and here,
462
00:39:04.000 --> 00:39:09.519
who he doesn't have to interact with
the public. He he can disappear
463
00:39:09.559 --> 00:39:16.639
and his his work still is being
seen. And so I have that frustration.
464
00:39:21.360 --> 00:39:24.800
I've so so basically, the essence
of it is that any sales that
465
00:39:24.840 --> 00:39:31.039
I've gotten are based on relationships that
I felt with people but which is one?
466
00:39:31.199 --> 00:39:35.639
One? Yeah, yeah, so, but it's a lot more time
467
00:39:35.679 --> 00:39:37.440
consuming, I guess. Yeah,
that that not that this time not will
468
00:39:37.440 --> 00:39:42.159
spent. It's time will spent the
course, probably better spent, but you're
469
00:39:42.199 --> 00:39:46.880
not amassing tens of thousands of sales
because you are our way, not just
470
00:39:46.920 --> 00:39:52.440
your way. Because I'm the same
way. My work product is inconsistent because
471
00:39:52.480 --> 00:39:55.840
of both my bipolar and my adhd. I get that, and no matter
472
00:39:55.880 --> 00:40:00.719
how much you can explain that to
an employer or an nft market or anything,
473
00:40:00.920 --> 00:40:05.599
they won't care the moment you start
disappearing or, you know, fading
474
00:40:05.599 --> 00:40:09.960
from their view or just in the
constant stream daily yeah, it feels like
475
00:40:10.119 --> 00:40:15.320
you just get left out. So
I think that is something everybody, you
476
00:40:15.320 --> 00:40:16.960
know, whether you have a mental
illness or not, just really has to
477
00:40:16.960 --> 00:40:22.199
be careful of that. It is
really a full time job and if you
478
00:40:22.199 --> 00:40:25.280
already have a fulltime job, you
have to just consider that you now have
479
00:40:25.480 --> 00:40:29.199
to so to your point, though, we I think I brought this up
480
00:40:29.239 --> 00:40:32.199
on another podcast. Guessed was.
That's why I think it's kind of cool
481
00:40:32.239 --> 00:40:37.519
thing for people that might have mental
illnesses to the point where they get disability,
482
00:40:37.599 --> 00:40:40.239
because you don't have to make a
lot of money, but you can
483
00:40:40.360 --> 00:40:43.400
make money. You don't have to
cash it out, you could just leave
484
00:40:43.400 --> 00:40:46.320
it in the crypto world. All
of those things are great options if you're
485
00:40:46.360 --> 00:40:50.679
able to eat and have a roof
over your head already. And I think
486
00:40:50.719 --> 00:40:55.039
that's that's really cool that you both
acknowledged and appreciated that. So, yeah,
487
00:40:55.199 --> 00:41:02.239
thank you. Yeah, it's and
and I'm so emotionally attached to that,
488
00:41:06.159 --> 00:41:12.559
to that validation, so much so
that it when I'm not healthy,
489
00:41:12.679 --> 00:41:19.440
when I'm depressed, I can't.
That's that's when I need to remove myself
490
00:41:19.480 --> 00:41:23.280
the most, because that's when I
become most invested in that validation. And
491
00:41:23.280 --> 00:41:31.320
and the lack of that validation is
is it's devastating and dangerous. So I've
492
00:41:31.360 --> 00:41:44.639
had to really, I have to
really really monitor myself and step away when
493
00:41:45.840 --> 00:41:51.800
I start feeling like nobody sees me. Why doesn't anybody see me? I'm
494
00:41:51.840 --> 00:41:55.440
invisible because I know, because I
know I'm a good artist, in my
495
00:41:55.519 --> 00:41:59.639
eye, in my art, in
my mind, I'm a good artist.
496
00:41:59.639 --> 00:42:07.320
I love the artwork I make.
I don't feel inferior. But man,
497
00:42:07.480 --> 00:42:12.880
not feeling seen will will bring you
to places you just don't want to go,
498
00:42:13.039 --> 00:42:16.079
and so I have to be really, really careful. Yeah, but
499
00:42:16.320 --> 00:42:21.400
for sure, because a lot of
times, especially with artists, being an
500
00:42:21.519 --> 00:42:25.559
artist is a huge part of our
personal identity. It's more of our identity
501
00:42:25.679 --> 00:42:30.360
than our family, the way we
look or anything else. It's the fact
502
00:42:30.440 --> 00:42:35.519
that we are creatives and if that
seems to be stripped from us, it's
503
00:42:35.559 --> 00:42:37.960
like part of your identity has been
stripped from you and you can go flailing
504
00:42:38.000 --> 00:42:43.440
off into the ether pretty quick without
an idea. Yea. So I think
505
00:42:43.480 --> 00:42:47.199
that's really smart and insightful that you're
able to detect that on yourself and,
506
00:42:47.280 --> 00:42:52.440
like, you know, be guarded, guarded against that happening. Yeah,
507
00:42:52.440 --> 00:42:55.559
I'm not always successful, but I've
gotten better and better at it and and
508
00:42:55.599 --> 00:43:00.719
to be perfectly honest with you,
I mean twitter spaces have have changed my
509
00:43:00.760 --> 00:43:06.559
life. I have learned how to
interact with people that I wasn't able to
510
00:43:06.599 --> 00:43:10.920
interact with in real life. I
think the fact that we're a great big
511
00:43:10.960 --> 00:43:17.000
world and we're able to find one
another like people in these spaces it really
512
00:43:17.079 --> 00:43:22.599
fills those those voids that you couldn't
find in real life. I mean,
513
00:43:22.679 --> 00:43:25.480
you know, I live in Chicago, it's a huge city, there's a
514
00:43:25.559 --> 00:43:30.960
lot of people, but I can't
find the same people in real life that
515
00:43:30.960 --> 00:43:37.840
I've found on on twitter spaces.
So I've learned to feel comfortable in my
516
00:43:37.840 --> 00:43:45.880
own skin by interacting with people on
twitter spaces. And and I will and
517
00:43:45.960 --> 00:43:51.719
I will continue to say that if
I stopped making artwork or stopped trying to
518
00:43:51.760 --> 00:43:58.119
sell my artwork, I would still
come into spaces because it's filled it's filled
519
00:43:58.119 --> 00:44:01.719
a void for me. It's given
me that that feeling that I had when
520
00:44:01.719 --> 00:44:07.480
I was in college where you like, you know, class was done three
521
00:44:07.519 --> 00:44:13.320
hours ago and you're sitting in the
hallway on the floor with your friends talking,
522
00:44:13.800 --> 00:44:17.360
you know, talking about life and
yeah, it's your hope that it's
523
00:44:17.559 --> 00:44:22.400
Huh, you are hardcore. There's
no way I would be out way off
524
00:44:22.440 --> 00:44:27.519
the campus like see you, we're
going to the lake, we're getting high.
525
00:44:27.519 --> 00:44:30.760
Well, here's the thing. Here's
the thing. When I was in
526
00:44:30.840 --> 00:44:36.079
school, see, initially I was
a sculptor, because I don't we probably
527
00:44:36.119 --> 00:44:42.400
talked about this, yeah, we
did. I lack technical skills and it
528
00:44:42.480 --> 00:44:46.320
was always frustrating and in a source
of shame for me until I until I
529
00:44:46.360 --> 00:44:53.679
discovered like art brute and outsider art, and so I really was into sculpture
530
00:44:53.800 --> 00:45:00.159
and I my class would be done
and I would be in the classroom by
531
00:45:00.199 --> 00:45:07.800
myself, like welding, or I
mean welding, but with my teacher nearby
532
00:45:07.800 --> 00:45:13.039
and I right across the hall,
because obviously that could be very dangerous.
533
00:45:14.519 --> 00:45:17.840
But I would I would after class
was over, or I was in the
534
00:45:17.840 --> 00:45:22.400
studio making artwork until the student the
school closed, until I was forced to
535
00:45:22.480 --> 00:45:27.159
leave. What grade you and what
how about? How old were you?
536
00:45:27.559 --> 00:45:37.360
Well, that was pre s so
it was probably like lateen so I graduated
537
00:45:37.440 --> 00:45:42.199
high school when I was seventeen.
I was a little bit younger than most
538
00:45:42.280 --> 00:45:45.480
I graduated. You know, I
was in the class where I was a
539
00:45:45.480 --> 00:45:51.119
little bit younger than I should have
been, and that was the other thing.
540
00:45:51.239 --> 00:45:53.000
I don't know how I got away
with this, but when I was
541
00:45:53.039 --> 00:46:00.199
in high school, I would leave
some of my classes like to say I
542
00:46:00.199 --> 00:46:04.239
had to go to the bathroom,
and I would go to my art class
543
00:46:04.239 --> 00:46:07.280
where like there would be no class
at that at that particular time. And
544
00:46:07.400 --> 00:46:10.400
I don't know how I got away
with it on both ends, with the
545
00:46:10.480 --> 00:46:15.599
teacher, that was my art teacher, allowing me to allowing me to stay
546
00:46:15.639 --> 00:46:21.599
there and and play around with the
clay and the teacher. That was that.
547
00:46:21.599 --> 00:46:24.519
That was teaching the class that I
was actually disappearing from, but I
548
00:46:24.559 --> 00:46:30.039
would I would disappear from class and
I would go to the art studio and
549
00:46:29.880 --> 00:46:35.320
I would just make artwork and that
sounds like a blast. So what kind
550
00:46:35.320 --> 00:46:37.480
of kid were you in school like? What was your favorite sort of bands?
551
00:46:37.519 --> 00:46:40.880
What were you a geek or a
job or a stoner or like John
552
00:46:40.960 --> 00:46:47.599
to any clift? I was heavy
into punk rock. Hell, yeah,
553
00:46:47.599 --> 00:46:53.960
Susie and the bandshoes, I was
absolutely obsessed with and then I got into
554
00:46:54.039 --> 00:47:01.519
like heavy metal, like Metallica.
But the thing is is my taste and
555
00:47:01.639 --> 00:47:07.400
music is really, really vast.
I absolutely love classical music, I love
556
00:47:07.480 --> 00:47:15.280
dance music, I love Salsa.
In fact, my my within the last
557
00:47:15.280 --> 00:47:23.840
maybe sixsh months I've had, I've
had the ability more and more, and
558
00:47:23.960 --> 00:47:30.280
now that my medication is changing,
to make the decision to distract my brain
559
00:47:30.320 --> 00:47:37.880
before it before you know, I
generally wake up depressed and what I'm doing
560
00:47:37.920 --> 00:47:42.400
now is saying, okay, I'm
depressed, how can I change this?
561
00:47:43.159 --> 00:47:50.719
And I put on Salsa and it
makes me so fucking happy and it's it's
562
00:47:50.760 --> 00:47:53.760
making that decision for myself. Is
Really, really. Basically, what it
563
00:47:53.800 --> 00:48:00.000
does is it allows my brain to
it inner. It interferes with what's naturally
564
00:48:00.000 --> 00:48:07.320
going on in my brain and replaces
it with something healthy. Yeah, agree,
565
00:48:07.360 --> 00:48:10.360
that's so huge too, because music, it's a powerful motivator, for
566
00:48:10.559 --> 00:48:15.519
better or for worse. Yeah,
and if you're sitting there listening to your
567
00:48:15.519 --> 00:48:19.920
funeral song playlist, yeah, you
probably going to be sad and you probably
568
00:48:19.960 --> 00:48:23.679
going to send yourself into a downward
spiral. And it is as simple sometimes
569
00:48:23.719 --> 00:48:28.159
a switching over to a more upbeat
song. I can't believe it. It's
570
00:48:28.280 --> 00:48:31.559
really is Hogwash, bullshit, but
it works for me a lot. I
571
00:48:31.599 --> 00:48:36.639
have some really crazy upbeat I'll share
some songs with you later, like entire
572
00:48:36.679 --> 00:48:40.639
playlists like wow, I feel like
I'm in a s car, commercial kind
573
00:48:40.679 --> 00:48:45.000
of songs, you know, just
loves roaming through life, like the Jetson's
574
00:48:45.039 --> 00:48:52.280
just interesting classical music, or like
this resurgence of jazz music after the Vietnam
575
00:48:52.360 --> 00:48:55.119
War, like cool jazz stuff like
that, really interesting, nice and I
576
00:48:55.159 --> 00:48:59.800
think maybe it came from us both
being because I was like punk rock and
577
00:48:59.800 --> 00:49:02.480
then metal and then once you're in
the metal, you're in the music music,
578
00:49:02.519 --> 00:49:06.480
you're in the musical music. So
it kind of opens the door to
579
00:49:06.559 --> 00:49:09.000
all of the rest of it,
for sure. Yeah, so I'm a
580
00:49:09.000 --> 00:49:15.360
big fan of music and I also
have to be very I also have to
581
00:49:15.360 --> 00:49:20.800
be very careful with music because if
I I can listen to classical music and
582
00:49:20.840 --> 00:49:28.199
it will, it will put me
into a deep depression, because I don't
583
00:49:28.239 --> 00:49:32.360
really know how to explain it,
except that I feel like with music,
584
00:49:32.800 --> 00:49:39.159
I feel like the human body becomes
like an onion and like certain music can
585
00:49:39.199 --> 00:49:44.840
like penetrate every single layer of that
onion all the way to the very,
586
00:49:44.920 --> 00:49:50.559
very very core. And then's what
classical music does to me it and so
587
00:49:50.599 --> 00:49:54.159
I had to be very, very
careful with classical music because it could it
588
00:49:54.239 --> 00:50:00.320
just brings out this it just puts
me so deep into my body that I
589
00:50:00.360 --> 00:50:04.679
can't get out of it. So
I hope that be really so I had
590
00:50:04.760 --> 00:50:07.800
to be really careful with classical music. Yeah, yeah, I have a
591
00:50:07.840 --> 00:50:14.239
playlist, I think it's curated by
apple, called melancholy strings, all the
592
00:50:14.280 --> 00:50:19.320
old great classic you know, Mozart
and all the folks, but also their
593
00:50:19.320 --> 00:50:23.079
most all just their most melancholy bit
and like wow, this is depressing.
594
00:50:24.119 --> 00:50:30.039
Yeah, it's pretty wild. Yeah, there's just something about a classical music
595
00:50:30.119 --> 00:50:37.880
that to me, I don't know, it's it penetrates the body in a
596
00:50:37.920 --> 00:50:43.239
different way than all the other music
does. and and like heavy metal penetrates
597
00:50:43.280 --> 00:50:47.039
the body in a different way than
than any other music does. So I
598
00:50:47.039 --> 00:50:55.119
think it just, you know,
it's it. Every type of music kind
599
00:50:55.159 --> 00:51:06.880
of it has a place inside of
your body. That's it's just like people,
600
00:51:07.039 --> 00:51:12.119
like I was telling my friend yesterday
that my friendships are like. For
601
00:51:12.199 --> 00:51:19.480
me, I feel like I'm like
a clothing dresser and the friends that fit
602
00:51:19.519 --> 00:51:27.239
into one drawer wouldn't fit into another
drawer and like like the like like the
603
00:51:27.639 --> 00:51:31.280
same people. The same people wouldn't
fit in the same drawer together. Right,
604
00:51:31.360 --> 00:51:36.559
right, and I just see you
organized it dif friends and no,
605
00:51:36.880 --> 00:51:39.760
no, don't put them, they
don't go there, over there, upl
606
00:51:39.920 --> 00:51:44.679
the right there. Yeah, I
mean my friends are really so, so
607
00:51:44.760 --> 00:51:52.760
different from one another that they they
have to be compartmentalized. But I always
608
00:51:52.039 --> 00:51:58.360
but I always say if I were
forced onto a desert island, every single
609
00:51:58.400 --> 00:52:00.519
one of those people I would want. And I don't have a lot of
610
00:52:00.519 --> 00:52:05.079
friends, which, you know,
could be a good it could be bad
611
00:52:05.119 --> 00:52:08.039
whatever. Well, twitter has kind
of filled that space for me. But
612
00:52:08.880 --> 00:52:13.800
if I were forced on to a
desert island for the rest of my life,
613
00:52:14.320 --> 00:52:17.719
all of my friends I would choose
to have on that island. They
614
00:52:17.760 --> 00:52:23.199
may not interact very well together,
but I would still want and write those
615
00:52:23.199 --> 00:52:28.840
people. Would still want. Which
one of those people on that island?
616
00:52:29.039 --> 00:52:31.480
If ivited all friends to the island, there would be a war and then
617
00:52:31.519 --> 00:52:37.519
eventually they'd all realize I was to
blame because I was the common denominator.
618
00:52:38.000 --> 00:52:44.639
That's the ASSHOLE, the broadest here
kill erm I sokay, yeah, I
619
00:52:44.679 --> 00:52:47.559
really don't think my friend. I
really don't think that my friends would get
620
00:52:47.559 --> 00:52:52.840
along with one another because they're so
different. But aren't by all. My
621
00:52:52.840 --> 00:52:55.280
friends are cordial, of course.
My friend just have such vastly different taste
622
00:52:55.360 --> 00:52:59.400
that a lot of them would think
things that my other friends into are just
623
00:52:59.440 --> 00:53:04.920
stupid or lame and I want I
get it whatever, and I wonder what
624
00:53:05.000 --> 00:53:07.719
that says about us. Does that
mean that we're like more complicated and we
625
00:53:07.760 --> 00:53:13.280
have more drawers than other people?
I don't know, or maybe more judge
626
00:53:13.400 --> 00:53:15.400
and more anxious about that kind of
stuff, because it would probably be fine.
627
00:53:15.440 --> 00:53:20.760
They probably all get it flung together
and they might even be closer friends
628
00:53:20.760 --> 00:53:23.199
with each other then with me.
Maybe that's the big fear overall. I
629
00:53:23.199 --> 00:53:29.320
don't want them talking to each other
because in the breakup with me. Yeah,
630
00:53:29.360 --> 00:53:30.760
well, I don't think that would
happen with my friends, but that's
631
00:53:30.760 --> 00:53:37.159
definitely a legitimate concern of mine in
real life. Like, like what I
632
00:53:37.159 --> 00:53:42.519
I'm a jealous friend, like I
want to know that you're my best friend,
633
00:53:42.559 --> 00:53:46.440
because if I'm not, like I'm
devastated. You gotta be like one
634
00:53:46.559 --> 00:53:50.599
or two on the speed dial,
please. And it's not like it's not
635
00:53:50.679 --> 00:53:54.280
like a arrogant thing. It's it's
like the opposite. It's like I want,
636
00:53:54.440 --> 00:54:00.719
I you know, I'm used to
being unimportant in life. I'm used
637
00:54:00.760 --> 00:54:08.559
to being unimportant, unimportant to my
mom and being a nuisance that I want,
638
00:54:08.639 --> 00:54:13.840
I want. Yeah, you kind
of need that confirmation that I am
639
00:54:13.880 --> 00:54:16.639
important, am I? Yeah,
okay, yeah, because I wasn't important
640
00:54:16.679 --> 00:54:21.360
to the people that I should be
the most important too. Yeah, yeah,
641
00:54:21.400 --> 00:54:23.840
yeah, I get that. What
what are you doing moving forward?
642
00:54:23.880 --> 00:54:27.519
So, like what's coming up next
to you? I mean you're an artist.
643
00:54:27.679 --> 00:54:30.480
I doubt you like plan out these
great projects, but do you have
644
00:54:30.519 --> 00:54:34.159
anything in mind that you like to
try out next with regards to your art
645
00:54:34.239 --> 00:54:37.400
the have you ever thought about getting
into like digital sculpting, like D or
646
00:54:37.440 --> 00:54:44.159
anything like that? I think that
at this particular moment it might be a
647
00:54:44.159 --> 00:54:50.119
little too complicated for my brain.
YEA, at this moment. You know,
648
00:54:50.320 --> 00:54:54.920
maybe it won't be at some point, but yeah, what I right
649
00:54:54.960 --> 00:55:00.119
now? I really need to get
my hands into some paint again, and
650
00:55:00.280 --> 00:55:05.880
so my future, my future goal
is to really really delve heavy into pure
651
00:55:05.920 --> 00:55:14.199
abstraction, like my like my profile
pick right now is, for the most
652
00:55:14.239 --> 00:55:19.920
part, pretty pure abstract. There's
some identofile opt identifiable objects and they're like
653
00:55:20.000 --> 00:55:25.760
houses. But that's really my future
focus at this particular moment. Is Anna
654
00:55:25.840 --> 00:55:32.599
also photography, I. I.
I've been really trying to figure out what
655
00:55:32.599 --> 00:55:37.559
what photography means to me and how
it fits into my world, and I've
656
00:55:37.920 --> 00:55:44.360
kind of figured it out that.
See, photography is it the the act
657
00:55:44.519 --> 00:55:50.079
of going out and trying to find
your picture. It it's again, it
658
00:55:51.039 --> 00:55:53.719
slows my brain down and it lets
me to focus on something outside of my
659
00:55:53.760 --> 00:55:59.760
brain. So it's like. For
me, artwork is like creating. It's
660
00:55:59.840 --> 00:56:05.480
like taking my head off and throwing
across the room, and that's that's why
661
00:56:05.559 --> 00:56:14.679
I I'm not a I love conceptual
art and and I wish that I had
662
00:56:14.719 --> 00:56:19.920
the build, the ability to say, okay, I'm gonna, you know,
663
00:56:20.639 --> 00:56:23.440
I'm going to make this piece of
artwork today and I want this to
664
00:56:23.480 --> 00:56:27.840
be the message. I can't do
that because if I do that, I
665
00:56:27.880 --> 00:56:34.480
get lost inside my head and and
then I start to become manic, and
666
00:56:34.519 --> 00:56:39.559
so I have to keep myself outside
of my brain because it becomes a dangers
667
00:56:39.599 --> 00:56:43.800
place. Yeah, yeah, so
that right. You have to keep yourself
668
00:56:43.840 --> 00:56:47.920
separate from the mind, that is
controlling yourself. Yeah, yeah, totally.
669
00:56:49.480 --> 00:56:52.360
So photography is something I really kind
of want to start. I have
670
00:56:52.440 --> 00:57:00.960
a huge body of of work that
I I'm going to start listing at some
671
00:57:00.039 --> 00:57:05.159
point. I do have one small
collection out right now. It's I think
672
00:57:05.159 --> 00:57:12.679
it's like seven pieces, and it's
it's of photograph. I usually find that
673
00:57:12.760 --> 00:57:16.440
I don't I don't want to take
a picture of the forest, I want
674
00:57:16.480 --> 00:57:20.719
to take a picture of the little
things that I find inside the forest.
675
00:57:20.920 --> 00:57:25.559
Like to me, that's like the
hunting that I like is finding the little
676
00:57:25.559 --> 00:57:34.400
details. Yeah, and so that's
the act of doing that is really is
677
00:57:34.400 --> 00:57:38.800
really gratifying, and so I kind
of want to start figuring out how to
678
00:57:38.800 --> 00:57:49.320
put my previous photography out there,
while having a future goal of learning how
679
00:57:49.360 --> 00:57:53.280
to actually use my camera so that, yes, that can actually because,
680
00:57:53.360 --> 00:57:59.400
you know, as good as iphones
are, there's a lot that you can't
681
00:57:59.519 --> 00:58:05.360
do with it. And so I
that's a future goal, is to do
682
00:58:05.440 --> 00:58:09.239
more with my photography. That's awesome. I look forward to that. I
683
00:58:09.280 --> 00:58:15.239
was interested in what you just said
about making pure abstract. Where does your
684
00:58:15.239 --> 00:58:22.639
mind go when you were trying to
paint or painting abstract? It goes to
685
00:58:22.920 --> 00:58:29.440
this material and it stays out of
it stays outside of the brain. Like
686
00:58:29.440 --> 00:58:34.039
that, I'm truly able to just
separate myself from my brain when I make,
687
00:58:34.800 --> 00:58:39.360
when I when I do pure abstract, because I don't have to worry
688
00:58:39.360 --> 00:58:44.599
about the message, I don't have
to worry about, Oh, you know,
689
00:58:45.199 --> 00:58:52.159
this this I that I'm drawing really
looks like shit or it removes myself
690
00:58:52.320 --> 00:58:57.320
from any kind of thought process and
it allows me to simply look at the
691
00:58:57.360 --> 00:59:04.400
material and and dance with it.
You know, it's yeah, like I
692
00:59:04.440 --> 00:59:09.360
allow the dance, I allow the
my partner, to be the leader,
693
00:59:10.360 --> 00:59:15.039
because if I try to be the
lead, if I try to be the
694
00:59:15.119 --> 00:59:20.119
lead dancer, I get too stuck
inside my brain and then that's where the
695
00:59:20.199 --> 00:59:23.599
danger happens. Well, I'm glad
youing to glad you ask that, because
696
00:59:23.639 --> 00:59:28.760
I really hadn't. I had really
hadn't thought about that. Well, and
697
00:59:28.800 --> 00:59:31.480
I think about that too, now
that we're talking about when I try to
698
00:59:31.480 --> 00:59:36.559
paint something abstract, I am,
you know, like ecart totally. I'm
699
00:59:36.559 --> 00:59:38.199
trying to be now, living the
now, in the moment, right,
700
00:59:38.239 --> 00:59:42.679
and so of course the texture of
the canvas, the feel of the paint,
701
00:59:42.920 --> 00:59:45.199
the way it's squishing past the Spatula, I love it. I love
702
00:59:45.320 --> 00:59:51.000
all of that. But I have
this weird desire, after I've painted something,
703
00:59:51.079 --> 00:59:53.400
to try to identify what the Fuck
I just painted. So people come
704
00:59:53.400 --> 00:59:57.320
over like, Oh, what is
it? And I feel compellable, like
705
00:59:57.679 --> 01:00:00.360
it's a it's a coy feel ish. I mean it, but it's not
706
01:00:00.400 --> 01:00:04.159
a cause. I don't no idea
what is just just a Blob of pain
707
01:00:04.239 --> 01:00:09.320
that smeared rind and it just weird
to try to have to I guess defend
708
01:00:09.400 --> 01:00:13.119
my art as as at this what
is it? What is it? I'm
709
01:00:13.119 --> 01:00:15.320
like, I don't know. It's
just not my answer to that is,
710
01:00:15.360 --> 01:00:20.639
who gives a shit what it is? That's my answer to that. Yeah,
711
01:00:20.440 --> 01:00:22.199
I want and you could get all
like a poetic like it is what
712
01:00:22.239 --> 01:00:25.280
you think it is and all of
it, but it I just don't like
713
01:00:25.360 --> 01:00:29.000
the feeling inside of me, like
why do I have a feeling inside of
714
01:00:29.000 --> 01:00:30.719
me that I have to explain what
it is? I don't have that feeling.
715
01:00:31.079 --> 01:00:37.320
I have that feeling when I'm around
people that don't appreciate art. Because
716
01:00:37.679 --> 01:00:46.599
so here's an example when, about
thirteen ish years ago, I I've always
717
01:00:46.639 --> 01:00:51.760
focused on trading cards. So those
are two and a half by three and
718
01:00:51.760 --> 01:01:00.320
a half pieces of artwork. Yeah, and I was doing some Xerox has
719
01:01:00.719 --> 01:01:06.239
on a color copier of my artwork
and the lady that worked there asked me
720
01:01:06.280 --> 01:01:10.079
if I was a teacher because she
thought that I was like a like a
721
01:01:10.159 --> 01:01:15.559
kinderschool, a kinderk garden type,
you know, like young kids, and
722
01:01:15.960 --> 01:01:24.599
a part of me was embarrassed because
I knew that she didn't see the beauty
723
01:01:24.840 --> 01:01:31.639
of shed and see the beauty of
art. The same way that I did
724
01:01:31.639 --> 01:01:37.760
and that it doesn't have to be
drawn perfectly right. So that's when I
725
01:01:37.800 --> 01:01:39.440
do get that. That's when I
do get that way where I feel like
726
01:01:39.480 --> 01:01:44.280
I have to explain myself. But
when I'm but when I'm with people who
727
01:01:44.280 --> 01:01:49.360
truly appreciate art, I allow my
art to be whatever the hell it is,
728
01:01:49.800 --> 01:01:52.559
okay, and whatever they want it
to be. You know. Yeah,
729
01:01:52.559 --> 01:01:57.480
I'm with that. I'm totally okay
with that. Like if you see,
730
01:01:57.519 --> 01:02:01.800
if if I see a horse and
you see an alien, I'm like
731
01:02:01.960 --> 01:02:06.519
hey, that's cool. Now I
have a whole nother way of looking at
732
01:02:06.559 --> 01:02:10.079
this. Yeah, yeah, exactly, and I think that you're bringing it
733
01:02:10.119 --> 01:02:15.159
up in this kind of friendwork.
I think my issue with having the feeling
734
01:02:15.199 --> 01:02:20.440
that I have to explain myself my
quote unquote art is that a lot of
735
01:02:20.440 --> 01:02:23.159
my life I've worked as a designer, as a graphic designer, so I
736
01:02:23.159 --> 01:02:30.079
literally had to explain my design decision. But but with art it's totally different.
737
01:02:30.119 --> 01:02:34.239
I think a lot of times people
can plate artists with designers and yeah,
738
01:02:34.320 --> 01:02:36.719
same, they can't be the same. You can definitely be both,
739
01:02:36.800 --> 01:02:40.840
but the act of design to me
is you're created artwork with the purpose intended
740
01:02:42.400 --> 01:02:45.599
with, with true art, you
create an art for the sake of the
741
01:02:45.639 --> 01:02:52.400
creation itself. Yeah, Yeah,
interesting. Well, let's we know everybody
742
01:02:52.400 --> 01:02:54.920
here, but let's take it open
for some questions and you guys make up
743
01:02:54.960 --> 01:03:00.400
some questions, because I want to
see how this works for the podcast,
744
01:03:00.400 --> 01:03:04.679
because I want to see how it
comes across after we the recording is finished.
745
01:03:04.679 --> 01:03:09.000
All right. So, Angie,
make up a question and turn on
746
01:03:09.039 --> 01:03:15.639
your bike and ask a question and
just probably outside getting the Sun Tan with
747
01:03:15.679 --> 01:03:23.679
the dogs and just left us on
US Sun Tan Jesus and yeah, something
748
01:03:23.760 --> 01:03:32.280
out there. There's no sun in
Chicago. Man, that's funny. I
749
01:03:32.400 --> 01:03:37.599
was in the other room, though. Will give me a moment. That's
750
01:03:37.679 --> 01:03:42.360
cool. I love that. And
Eric, Eric, I need you to
751
01:03:42.440 --> 01:03:45.599
come up with a question. I
hope he's listening. And then not like
752
01:03:45.800 --> 01:03:50.400
in the in me and the backdrop
somewhere. That's where I think a lot
753
01:03:50.400 --> 01:03:52.880
of people do. But yeah,
Chris. So, Chris is a Podcaster
754
01:03:53.000 --> 01:03:58.320
I've interviewed on my show before and
I think he's both supportive but what we
755
01:03:58.400 --> 01:04:02.320
do here also probably learning about podcasting, just like me. So anyway,
756
01:04:02.519 --> 01:04:05.280
yeah, this is cool. I
like the way it's turning out. I
757
01:04:05.320 --> 01:04:09.920
hope the audio sounds listenable, because
it sounds good from here, doesn't it?
758
01:04:10.639 --> 01:04:15.239
Yeah, definitely cool. PLUS HELP
IT trends. I hope it translates
759
01:04:15.239 --> 01:04:20.639
well to to to podcast land.
Well, it's a great conversation and those
760
01:04:20.719 --> 01:04:25.760
always do. And my thought being
that if the audio quality is suitable,
761
01:04:25.760 --> 01:04:29.280
then people will listen to the podcast
and might be inclined to come back and
762
01:04:29.320 --> 01:04:31.840
start a twitter your account where they
did not have one earlier, and then
763
01:04:31.880 --> 01:04:34.920
they could join us and hang out
and like like you and a lot of
764
01:04:34.920 --> 01:04:41.039
people, the first time public speaking
or podcasting is through connections made by twitter,
765
01:04:41.079 --> 01:04:45.039
and these kind of connections change people's
Perspective on things quite a bit.
766
01:04:45.079 --> 01:04:46.719
Once you're confident knowing that Oh,
I could speak up, I can,
767
01:04:46.800 --> 01:04:50.519
I can speak for myself in public. I think it makes a big difference.
768
01:04:50.599 --> 01:04:57.599
Yeah, and and and being able
to both. Okay, so you
769
01:04:57.639 --> 01:05:01.480
support me and I support you because
if I say hey, listen to this
770
01:05:01.599 --> 01:05:06.320
episode, you know it's it's a
it's a great tool for me and it's
771
01:05:06.360 --> 01:05:11.480
great toolfull you, for you.
You know. Yeah, I love that.
772
01:05:11.599 --> 01:05:15.880
I Love I love being able to
have that kind of CO comusual like
773
01:05:19.480 --> 01:05:24.719
helping each other out. You know. Yes, it's kind of like emotional
774
01:05:24.760 --> 01:05:29.320
network without being to market. Yeah, advertise you about it. Yeah,
775
01:05:29.400 --> 01:05:31.599
yeah, I think that's important.
Angie n Ike had that same kind of
776
01:05:31.599 --> 01:05:35.159
work ethic from when we work with
I don't know if you knew, but
777
01:05:35.239 --> 01:05:40.519
Angie and I met in San Francisco
when she used to book punk rock bands
778
01:05:40.559 --> 01:05:42.840
and I was in one of the
punk rock bands. That's how we might
779
01:05:43.840 --> 01:05:47.199
yeah, yeah, and now we're
but we both live in Oklahoma City and
780
01:05:47.480 --> 01:05:53.119
go take pictures of the sunset and
try to make anypteas and shit like that.
781
01:05:53.239 --> 01:05:57.199
Yes, small world, that's so
funny. I have a question,
782
01:05:58.320 --> 01:06:04.320
Yay, so I'm curious if there's
a color that you have an aversion to,
783
01:06:04.960 --> 01:06:10.039
like any color or any number of
colors that you have an aversion to
784
01:06:10.159 --> 01:06:14.679
that you don't like to use in
your artwork. She has an adversion to
785
01:06:14.840 --> 01:06:25.440
my question, a version of the
questions about colors. Sorry, guys,
786
01:06:27.159 --> 01:06:33.599
my my along with my knee,
leaving my my husband is from Morocco and
787
01:06:33.760 --> 01:06:41.119
he flew out with her and he's
going to be visiting his parents and I've
788
01:06:41.159 --> 01:06:44.440
been waiting for him to call me. So that's what that was all about,
789
01:06:44.480 --> 01:06:46.679
and I said, listen, I'm
I'm doing space right now. Can
790
01:06:46.719 --> 01:06:53.559
you call me to time? As
I knows, I know he's okay.
791
01:06:53.599 --> 01:06:58.239
That's what's important. Yeah, yeah, for sure. You've got quite the
792
01:06:58.280 --> 01:07:00.920
international flare going. I know,
I know, I know. I love
793
01:07:01.039 --> 01:07:04.239
that. That's awesome. It's back
to the ADHD. We love the vanity.
794
01:07:04.440 --> 01:07:10.760
Chris laughed, I'm sure. Yeah, Chris is the Chris does tubs
795
01:07:10.760 --> 01:07:15.000
a podcast, though. Cool,
so he's probably a using our ideas.
796
01:07:15.199 --> 01:07:17.039
He's a good guy. I just
had a he was on the podcast the
797
01:07:17.039 --> 01:07:20.199
other day. But anyhow, I
got to wrap up to have another podcast
798
01:07:20.199 --> 01:07:25.360
coming up in half an hour.
That I'm okay for, and this sounded
799
01:07:25.400 --> 01:07:27.760
great. I know you like to
stay on spaces forever. I don't know
800
01:07:27.760 --> 01:07:30.400
how we could switch this or the
three of you want to up on your
801
01:07:30.400 --> 01:07:32.599
own space, but I really appreciate
you hang it out. Eric. Thanks
802
01:07:32.599 --> 01:07:36.559
for sticking out the whole time.
I'm not a I'm more of a podcaster
803
01:07:36.679 --> 01:07:41.880
than a spaces person, so I
don't go for eight hours like Marcie does,
804
01:07:42.400 --> 01:07:45.760
like a job. That's probably what
Burns you out, Marcie, doing
805
01:07:45.800 --> 01:07:49.280
spaces for eight hours. You know
what I've only done. I've only I
806
01:07:49.280 --> 01:07:55.599
did one space for like fuck,
I don't even know how long, and
807
01:07:55.639 --> 01:08:00.880
then like five. It was a
long yeah, but I yeah, I'm
808
01:08:00.880 --> 01:08:03.639
trying to find figure out what my
next steps are and but no, I
809
01:08:03.760 --> 01:08:09.960
do go in and out of spaces
a lot. Yeah, but yeah,
810
01:08:10.519 --> 01:08:15.199
it's definitely right now, like what
my kind of getting my feet back in
811
01:08:15.239 --> 01:08:18.319
there, but I do have and
I am trying to figure out what to
812
01:08:18.359 --> 01:08:24.319
do here. So well, you're
doing so far, so good. Thanks.
813
01:08:25.279 --> 01:08:28.239
I like this format pretty good now
that I figured out how to make
814
01:08:28.279 --> 01:08:32.720
it sound okay and work the buttons
kind of. So if y'all want to
815
01:08:32.720 --> 01:08:35.680
try this again on another day,
I'm happy to host. You are and
816
01:08:35.840 --> 01:08:41.039
Angie, whenever you and whenever you
want to. I'm happy with it because
817
01:08:41.079 --> 01:08:46.279
I just I know you don't like
compliments, but it's you're extremely talented host.
818
01:08:47.439 --> 01:08:53.199
No, I'm serious and that and
anyway, so when you are,
819
01:08:53.319 --> 01:09:03.479
when you are up for doing there
I and now back to the wall.