Transcript
WEBVTT
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Hey, welcome back. It's John
Emotions and this is the EMO Dojo.
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So today I'm going to go over
some kind of tough decisions of had to
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make and some future decisions I may
need help with, and we'll get to
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that in just a second, but
first I'll update you on the my new
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pet blue jays. All that and
so much more on today's signal jams.
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I think I may have mentioned that
I had a Hornet's nest outside the back
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porch light a while back and I
didn't want to, you know, poison
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it spray bunch of poison in the
air. So I thought, Oh,
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what's the natural enemy of insects?
Birds? So I thought let's attract birds.
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So over the past several months I've
been attracting various birds through different types
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of bird feeders and I've settled on
Blue Jay's being my favorite, and they
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like just raw, unroasted, unsalted
peanuts in the shells. I just put
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them in a little dog food bowl
and whistle and they come. That's pretty
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cool. I like it. It's
really interesting. They're smart, for sure.
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So Blue Jays are basically small crows, so they're very smart, even
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though they're, on the other side
of my sliding glass door, they don't
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like it. If I'm more than
about I don't know. If I'm closer
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than about five feet eat, they
don't like it. They get really skittish.
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But if I'm like back in the
lazy boy, about eight feet from
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the door, they're cool with that. They're used to me kind of the
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motions I make while I'm sitting in
that chair looking on my laptop or whatever,
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so they're not too skittish. But
here's what's really interesting. A little
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further back in the room are my
drums, like electric drums. You put
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on the headphones and he just play
so you can hear yourself well. These
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birds are funny. So the closer
I am to the door, they'll zoom
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him, grab a peanut and bail
right immediately. They'll just jolt away.
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Sometimes they're so fast they'll even drop
the nut and have to make a second,
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second run. Right when I'm a
little for further back in the easy
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chair, they'll come in and,
you know, be a little more selective.
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They'll pick one up and now that's
no good, drop it, pick
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up another one, hang around,
look then leave. When I'm on the
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drums, these fucking blue jays come
in and they don't even go for the
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nuts at first. They'll say it. Sit there kind of like on top
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of the edge of the chair out
there and they look at me drumming and
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apparently they know that I'm predisposed and
I'm not going to come eat them.
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So these blue jays are over there
bouncing up and down like dancing to music
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that they can't hear. Obviously I
have my headphones in, but I'm,
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you know, waving my arms like
a crazy person and move my feet and
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all that. They can see that
part and they may hear are light tapping
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on the electric drums, but they
can't hear the music. However, they
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bounce up and down without grabbing any
of the peanuts. Sure eventually then they'll
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jump down and grab a peanut or
two sometimes. Did you know that Blue
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Jays can fit a whole peanut in
their throat and still carry another one?
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I didn't know that. And here's
your mind numbing information of the day.
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Blue Jays are not blue. They
just appear that way to humans because of
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the way the light refracts through their
wings. If you were to hold a
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blue jays wing up to a light
table, it's Brownish Gray. So they're
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Brown. Blue Jays are brown,
like the dress thing. You know snow
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it's not exactly like the dress thing
at all, because consume some cannabis the
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other day and I was looking out
the glass door at the beauty of these
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blue jays feathers and that. I
kept thinking of myself, Dude, you're
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not even seeing that real. That's
not even a real thing you're seeing.
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You are seeing an illusion. So
yeah, Blue Jays are not blue,
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they're brown. DIG It. All
right. Let's get up speed on Emo
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Dojo, right. So a couple
of episodes back told you'll wanted to turn
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that into a nonprofit. So that's
still moving forward. It looks like the
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biggest chunk of change is going to
be the four hundred dollars you got to
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pay up front to the IRS.
So I'm just putting that aside. I
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don't like four hundred dollars extra eight
paycheck to just throw away, so I'll
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save that slowly put that aside.
I've also identified a few like music instrument
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manufacturers, that I think would be
willing to participate once I became legitimate nonprofit,
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so that again, the Emo Dojo
will be a nonprofit that we stream
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videos and kind of like a destruction
room meets a music studio. So it'll
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have basically just drums and web streaming
cameras and things like that where people that
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don't know how to play drums can
just go play drums and get it out
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of your system. Of course,
as that project kind of grows to completion,
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definitely going to find some real therapists
to work on part of the curriculum,
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if not on the staff, and
some actual music instrument instructors. It's
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not just going to be a bunch
of Yahoo's. Well, be a lot
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of Yahoo's, and especially has to
be people that are open minded and kind,
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you know, that are willing to
work with people of all sorts that
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have different types of mental conditions and
issues they're trying to deal with. So
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anyway, that's the EMO Dojo.
Will be a drum studio that we live
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stream out for the sole purpose of, you know, mental therapy in a
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sense. And then I also told
you that I was going to look into
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voiceover work because I think I explained
it before. I didn't really know I
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was thought it was doing characters like, you know, animation characters like Mel
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Blank and whatever, stuff like that. And then I learned that it's not
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necessarily that. It could be anything. It could be the voice of a
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serie or it could be the answering
machine when you call the company, that
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says Ay, press to for whatever
fucking thing right. And then I was
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in the movie theater yesterday. The
AMC guy comes on and I'm like,
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Oh, there's another voice, and
now I can't not hear voices every time
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I don't were voices, you know
what I'm saying? When I when I'm
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on the media, the streaming services
or TV or radio, all I do
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now is listen to voices and think, fuck, I could do that,
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totally do that, give me that. And so the next step, it
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looked like, is I should talk
to vocal that vocal coaches, but voiceover
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specific coaches. So I got signed
up for two different free consultations from what
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appeared to be, from my real
reasonable judgment in this area, to be
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some of the best one gal's name
is and Genguza and the other gentleman's name
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is Sean Pratt. After listening to
hours and hours of podcast from various sources,
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these two names kept floating to the
top and sure enough. They had
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ways that you can go to their
websites and sign up for like twenty minute,
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half hour consultation and give you at
least some kind of direction on what
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a next good step is. So
I had a blast yesterday, I'm sorry,
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the two days ago whatever, talking
to Anne, and then this evening
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I'm talking with Sean, so I
should have a better kind of idea of
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what to do next. But and
brought up a fun thing that sounded awesome.
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So I am apparently a little edgier
than many in the voiceover industry,
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the kind of square that probably comes
from the radio days. I curse a
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lot more. I'm just of lived
a wildlife and the way she heads to
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a round, it goes well if
you're into it. You know my assistant
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has connections with the Romance novels and
like it might. If I've into it,
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like fuck, of course that would
be a blast. I love that
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idea. So yeah, whatever,
I think I have to put together a
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demo of some sort or find one
of these. They got basically website.
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You pay to be on a yearly
subscription and when you're on it then you
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could submit what do you auditions and
things like that. Put up your demo
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tapes or submit auditions directly to people
looking for work. The downside to that
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is also as a graphic designer and
a musician, is that a lot of
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those sites, you know, kind
of go toward the lowest common denominator buyer,
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people that are just looking for cheap
and that's no way to build a
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career in any thing artistic. You
don't want to be cheap, you don't
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want to lower your price right off
the bat. At least try to start
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high. So there's a little navigation
involved and putting up with things like that
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on voice sites. But, like
I said, I'll no more after I
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talked to Sean Pratt this evening.
So just kind of combined the knowledge and
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see what the best step is next. Definitely keep you posted on that.
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Could be fun and if you're into
it, just you know the way I'm
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doing it, I guess is a
way you could do it. Just do
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a lot of research, listen to
a bunch of voiceover podcasts and try to
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be humble about it and make small
next steps. Right, all right,
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and then in the entertainment sphere.
So this past weekend I watched the show
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a movie, sorry, show a
documentary movie called the days of rage.
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The Rolling Stones Road to altamont really
fascinating. I'd known about the altamont disaster
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because I'd lived there. I used
to go to monster truck rallies at Altamont,
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so I had heard these stories from
my parents about what happened there,
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but nobody are had ever said the
details and apparently some of the details weren't
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really public. Long and short of
it, the rolling stones were trying to
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make a big comeback in America.
They could not do a big show in
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Golden Gate Park and San Francisco,
so they proposed was doing one at a
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speedway about forty miles away from San
Francisco. The hell's angels were going to
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be their security and things went awry
really badly. The part that struck me
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the most was a part that was
not known in the public before, was
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that there's a gentleman that was stabbed
to death down in the front while the
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rolling stones are on stage playing.
The crowd was incense that one of these
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hell's angels allegedly had stabbed this person
to death, the Black Guy, and
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there's nothing to be done. The
even the COPS said, well, we
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don't need the ambulance. He's dead. The fucking crowd picked up this dead
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Black Guy's body and put it on
the stage, laid this dead guy's body
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at the feet of the rolling stones
and then the hell's angels pushed it back
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into the crowd. Push the guy's
body, dead body, back into the
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crowd. That's pretty fucking shocking and
disgusting. If that weren't bad enough,
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the rolling stones went on to play
an hour more. Just mind boggling right.
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Otherwise, it's a good documentary that
tells you a lot about the situation
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in the Times that the rolling stones
were coming up in. And it was
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a really, really weird thing because
up until that point Mick Jagger seemed like
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a really legit activist. But somehow
they got themselves painted into a corner with
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those fucking hell's angels and they just
made the wrong decision. Why do you
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keep playing after someone brings one of
your fans up on stage in a dead
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heap? It doesn't make any sense
to me. Anyway. That's days of
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rage the road to altamont. The
next movie I saw yesterday was the flip
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opposite, and this is even more
maddening, and I'll tell you why,
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or you probably figure out why in
a second. So I went and saw
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a movie called summer of Soul in
the movie theater yesterday. It's also on
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Hulu, but I highly suggest you
see it in a theater because it's well,
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it's over two hours long and you
might fall asleep if you watch it
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on the couch or pick up a
laptop or wander off from something. Anyway,
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focus on this. Shit is amazing. It made me cry. MMM,
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most of the time my eyes were
dripping with joy and happiness. But
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the underlying message is super fucked up. So during the same summer we had
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woodstock and altamont summer of sixty nine. A hundred miles south of Woodstock in
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Harlem, New York, USA,
there was a series of shows. They
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built a big, you know,
Hollywood production stage. They brought in gigantic
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Hollywood cameras, those big monsters on
giant wheels that guys sit on and kind
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of roll around, and they old
concerts on this stage for several weeks in
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a row, on the weekends,
several weeks in a row in Harlem.
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So the great thing is all of
this was captured on film, real film,
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Nice, good old fashioned s film, right, we're sixty nine film.
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Well, then they got put in
a warehouse. It just got shelves.
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I guess nobody wanted to see it. The Guy who had shot it
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and had possession of it and,
you know, the rights to it was
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trying to sell it to the networks
and the media and his pitch was like
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it's the Black Woodstock, it's the
Black Woodstock. For some reason people weren't
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having it. In hindsight, watching
this movie, it seems pretty clear to
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me why the establishment was not having
this, because what you'll see when you
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watch summer of Seoul are tens of
thousands of young, old, every kind
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of class of African Americans, Black
folks in Harlem in one thousand nine hundred
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and sixty nine, having a good
time. No violence, nobody getting arrested
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and, contrary to the hell's angels
trying to guard the rolling stones ending in
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a dead black guy up on their
stage, the Black Panthers were the guards
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for summer of soul and Harlem and
there was no violence, there was no
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dead white guy thrown up on the
stage during stevie wonder set. Nothing like
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that happened. So, in looking
back at this and it was literally put
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on a shelf for fifty years.
Quest love the drummer from the roots and
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Jimmy, whatever band fallon's band kind
of pulled this out and put together the
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project. He's the director. The
footage was literally just found like two or
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three years ago and they just put
this movie together from it. So and
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then they showed the footage to a
lot of the performers that performed that day
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that are still alive and got their
reactions. So some of the performances were
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just stunning. Like I didn't know
stevie wonder played the drum so well.
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I'd you when you see it and
you kind of expect it after you seems
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like, Oh, yeah, of
course he's just a great musician regardless.
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But that dude was going off doing
a drum solo. One of my favorites
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sly and the family stone, who
had known about for a long time because
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he and my mom went to high
school at the same time, same high
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school, same time, back in
Valleto California. So I kind of grew
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up knowing about that hip, funk, cool radical culture and he stole the
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show man so much good footage of
so many of the grades Nina Simone is
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on there, like I said,
sly in the family stone, the Mavis
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singers. Maybe I mean starry,
the staple singers with mavis staples. My
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hailia Jackson was there. All kinds
of blues acts that you I just had
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never heard of. But it came
together so nicely, so much color and
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so much authentic s colorful esthetic value
to it too, just off the charts,
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really great. And so not just
great because the music, in the
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performances, in the colors, in
the film and everything, but also great
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in the message of like how different
ways the media portrays different cultures based on
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the agenda. I'm not saying WHO's
agenda. I'm not I don't give a
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fuck about conspiracy theories, but clearly
this was kept out of the light because
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it just doesn't fit the narrative that
black people are, you know, troublemakers
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or there's, you know, doing
drugs or whatever and breaking things. That
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wasn't the case at all at all
and it never has been the case.
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People in this case, the media
choose to focus on the bad in some
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cases and some are of soul did
not fit the narrative. So I highly
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encourage you to see some are of
soul. If you're going to watch days
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of rage, watch it first before
summer of soul so that you end on
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up uplifting high note. But such
a great juxtaposition of the Union Yang of
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media coverage of two different festivals.
One was a complete shit show that ended
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in death. The other one was
a glaring success that just got buried in
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time. Wow. So that's where
I've got for now. I just wanted
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to give you a quick update and
I'm going to go edit up some more
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episodes of g shock and I shooting
this shit and I also have some reviews
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of another new device I've been trying
called the Apollo Nero, the Apollo Neuro,
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which is a wrist warn device that
kind of prevents the fight or flight
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response in your nervous system. I've
been trying that now for about two weeks
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and I will give you a basically, I'll probably just do a stand looad
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episode of what your fight or flight
response is and how this particular device might
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help. And of course I'm still
using the lifted brain zapp or thing.
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Again, not a sponsor of the
show. I just really appreciate the device
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and it seems to be working.
So I'll do an episode shortly here that
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I talked about what the lifted headband
device does, transcranial direct current stimulation,
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and then also talk about the Apollo
Neuro device that you wear on your wrist
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or your ankle that works on your
fight or flight response, in your autonomic
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in your sematic nervous system, or
think I got those words right. Anyway,
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I'll tell you more about that later. Thanks for listening. I appreciate
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your that you're here. I don't
know where you are, but I think
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you're here. I'm in your ear
anyway. And now back to the wall.
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